Collection Timeline

1802 to 1922

1802
Daywear, typical of Empire fashion-slim and simple (published by Payne, Milliner and Dressmaker, Old Bond Street).

1805
Full and Walking dress, illustrating the empire waist, light jacket, feathered headwear, and fur muff and stole.

1807
Kensington Garden dresses, showing the Spencer jacket and capelet; as well as Turkish headwear.
London Fashionable Walking and Full Dress, showing an empire waist, fitted bodice and short cap sleeves. A short lined with lace cape is also included, in addition to Grecian hair styles (engraved for The Lady's Magazine).
London Walking Dress, with close to the body bodice, belt, stole, and hat. Small child's morning dress with pantlets (published by John Bell).

1808
London Fashionable Morning Dress with cape and straw hat; also includes young man with Elizabethan collar and jacket (engraved for the Lady's Magazine).

1809
Walking Dress, consisting of high collared, straight to the body dress with a tasseled belt, and an overcoat and hat.
Summer Walking Dress, showing influences from the eastern Mediterranean; underskirt covered by a lace lined overjacket and lace-lined turban with parasol (published by John Bell).
Full Evening Dress showing piping along the bodice, skirt, and slight leg of mutton sleeves, with attached lace cape; feathers in the Grecian styled hair (published by John Bell for La Belle Assemblee).

1810
London Fashionable Walking and Full Dress, showing a laced bodice, slit cap sleeves, gloves, and purse. The Walking dress includes a lace lined overcoat, ermine stole, feathered hat and parasol (engraved for the Lady's Magazine).
Evening Full Dresses showing off-shoulder bodices, empire waists, and turbaned hats with feathers (published by John Bell for La Belle Assemblee).

1811
Walking Dress, with ribbing on the hem, sleeves and shoulders, a cape, and an Elizabethan collar. There is also a bonnet framing the face, decorated with ribbing and flowers.

1812
Evening Dress, with tight and square bodice, short and fitted sleeves, decorated with piping. The dress is cinched at the waist and has a small flounce in the back. The lady is wearing a Grecian head piece, wearing gloves, and carrying a small bag. (engraved for La Belle Assemblee).
Morning Walking Dress, illustrating the Betsy collar (Elizabethan revival ruffle),headwear, shoes, redingote and muff (published for La Belle Assemblee by Mrs. Bell).

1813
Walking Outfit with layers of lace on the shoulder overcoat with a view of petticoats underneath. A full bonnet with feathers and trimmed in lace and ribbon (Costume Parisien).
Gentleman's frock coat over tight-fitting pantaloons, and including top hat, cane, and mid-calf spats (Costume Parisien).
Walking Dress, with overlay on bodice, lace ruffled collar, empire waist, and plain skirt with ribbed hem. The skirt length is mid-calf, and the hair is drawn into a top knot with decoration (Costume Parisien).

1814
Evening Theater or Opera Dress, illustrating ornate and ruffled off the shoulder bodied, empire belted waist, short cap sleeves, and a ruffled hem. A turban hat with feathers and hanging decoration and gloves.

1815
Morning Walking Dress, illustrating the Betsy collar (Elizabethan revival ruffle), headwear, shoes, redingote and muff (published for La Belle Assemblee by Mrs. Bell).
Walking Dress from the back, showing headwear, capelet, suspenders for a 2-layer outfit, multipuff sleeves (published by Lady's Magazine).
Morning Dress, illustrating the Betsy collar (Elizabethan revival ruffle), multipuff sleeves, and the importance of the back of the dress design.

1817
Autumnal Carriage Pelisse (also known as the redingote) and Bonnet, showing the influence of India in the shawl design and headwear (paisley), the Betsy collar (Elizabethan revival ruffle), and the high waist (published for La Belle Assemblee by Mrs. Bell).

1818
French Carriage Dress, showing the importance of the pelisse (or redingote) and the Betsy collar (Elizabethan revival ruffle) (published for La Belle Assemblee).
Riding Dress, showing the importance of the pelisse (or redingote), the Betsy collar (Elizabethan revival ruffle), and the high waist (published by R. Ackermann's Repository of Arts).
Walking and Evening Dress for January 1818, illustrating a high waist, growing design emphasis on the skirt and hem, and capes and wraps (published by Dean and Munday, Threadneedle Street (London).

1819
Walking Dress, illustrating the Spencer jacket, the Betsy collar (Elizabethan revival ruffle), oversized muff, the emphasis on the lower hem decoration, and the cut-out sleeve with fur applique (matching the muff) (published for La Belle Assemblee by Mrs. Bell).

1821
French Dinner Party Dress, showing the high waist, bonnet framing the face, the emphasis of decoration on the lower hem, and the 2 part sleeve (mameluke/leg-of-mutton) (published for La Belle Assemblee).

1822
Evening Dress, illustrating widening shoulders with a decorated bodice, descending waistline marked by ribbon or cummerbund, the emphasis of decoration on the lower hem, with gloves and purse (published for La Belle Assemblee).
Walking Dress, illustrating the use of plaid in cotton/silk fabrics, a higher neckline, shirred bodice, the dropping waist emphasized by a belt, and the emphasis of decoration on the lower hem (published for La Belle Assemblee).

1823
Dress, illustrating the a filled-in neckline (known as the canezou), shirred ribbons on the bodice, a narrow waist and including a hat made of silk and decorated with flowers and feathers and a lace shawl (published for Costume Parisien).
Dress, illustrating a ribbon capelet, shirred ribbons on the bodice, a narrow waist emphasized by ribbons, double decker sleeves (with decoration on the wrists), an increased focus on the back design, and the emphasis of decoration on the lower hem (published for Costume Parisien).
Walking and Evening Dress for October 1823, shirred ribbons on the bodice, a narrow waist emphasized by ribbons or cummerbund, double decker sleeves more detailed and geometric decoration, the emphasis of decoration on the lower hem, and the use of headwear and jewelry (invented by Miss Pierpoint, Edward Street, Portman Square (London) and published by Dean and Munday, Threadneedle Street (London).
Satin dresses, demonstrating shirring on the bodice, a narrow waist emphasized by ribbons or cummerbund, puffed sleeves, the emphasis of decoration on the lower hem, and the use of headwear and jewelry (published for Modes de Paris).

1824
Elaborate plaid cape, illustrating the use of ribbon and geometric decoration, and increasingly elaborate hats, utilizing feathers and ribbon (published for Modes de Paris).
Dress for the Italian Opera, illustrating a 2 piece dress, with plaid skirt and blouse, including puffed sleeves, a shirred bodice, and loosely ruffled collar, waist emphasized by ribbon/belt, a ruffled hemline. The straw hat is decorated with elaborate ribbons.
Evening Dress, illustrating an elaborate Elizabethan revival ruffled collar, leg-of-mutton sleeves and widening shoulders overall, the waist emphasized by a belt and hats decorated with ribbons, flowers, and feathers.
Evening Dress, illustrating leg-of-mutton sleeves and widening shoulders overall, the waist emphasized by a belt, lace shawls, geometric decoration towards the hem, and hats decorated with plaid ribbons, feathers, and lace (published for Modes de Paris).
Dresses for woman and girl, demonstrating decoration on the bodice with ribbon and a ruffled collar, a narrow waist emphasized by ribbon, puffed and decorated sleeves, the emphasis of decoration on the lower hem, and the use of headwear decorated with ribbons. The young girl is wearing pantalons or pantalets, and her dress reflects the style of her mother's. Additional accessories include a fan and parasol. (published for Costume Parisien).
Walking Dress, showing a redingote (or pelisse), with mameluke sleeve (widening shoulders), the Betsy collar (Elizabethan revival ruffle), the emphasis on the waist with a belt, decoration at the ends of the sleeves, the emphasis of decoration on the lower hem, headwear including a veil and ribbons, gloves, and purse published for La Belle Assemblee).

1825
Dinner Dress, showing widening shoulders with loose leg-of-mutton sleeves, a decorated bodice, the waist defined by a belt, with pattern throughout the dress and near the hem. The hairstyle is elaborate, and a turban-inspired bonnet is also illustrated, decorated with ribbon and flowers. (publisher is unknown).

1826
Elaborate plaid cape, illustrating the use of ribbon and geometric decoration, and increasingly elaborate hats, utilizing feathers and ribbon (published for Modes de Paris).
Dress for the Italian Opera, illustrating a 2 piece dress, with plaid skirt and blouse, including puffed sleeves, a shirred bodice, and loosely ruffled collar, waist emphasized by ribbon/belt, a ruffled hemline. The straw hat is decorated with elaborate ribbons.
Evening Dress, illustrating an elaborate Elizabethan revival ruffled collar, leg-of-mutton sleeves and widening shoulders overall, the waist emphasized by a belt and hats decorated with ribbons, flowers, and feathers.
Evening Dress, illustrating leg-of-mutton sleeves and widening shoulders overall, the waist emphasized by a belt, lace shawls, geometric decoration towards the hem, and hats decorated with plaid ribbons, feathers, and lace (published for Modes de Paris).
Afternoon Home Dress, demonstrating the increasing importance of receiving visitors in the home. The dress has widening and ruffled shoulders with decoration at the end of the sleeve, the bodice is trimmed with decoration, and there is an emphasis of decoration on the lower hem. The headwear is a loosely ruffled bonnet, with flowers as decoration and larger lace ties (published for La Belle Assemblee by G.B. Whittaker).
Men's Dress, illustrating redingote that flares out from the waist, pantalons, breastcoat, collar to the neck, top hat and whip (published for Modes de Paris).

1827
Fashionable Dinner and Evening Dress for March 1827, showing widening shoulders with loose leg-of-mutton sleeves and decorative ruffling at the wrist, a decorated bodice, the waist defined by a ribbon or belt, with plaid and other patterns throughout the dress, near the hem and in the cape. The coiffures are elaborate and include flowers, and the bonnet includes ribbons with bows. Jewelry and a purse are accessories (invented by Miss Pierpont, Edward Street, Portman Square (London) and published by Dean and Munday, Threadneedle Street (London).
Carriage Dress and Dinner Party Dress, illustrating hemmed short and loose leg-of-mutton sleeves with widening shoulders overall, the waist emphasized by a belt (one with an animal design), lace shawls, geometric decoration towards the hem, gloves, parasol, and hats decorated with plaid ribbons, feathers, and lace (published for La Belle Assemblee by G.B. Whittaker).

1828
Morning Promenade Dress and Summer Walking Costume, illustrating elaborate ruffled collars and leg-of-mutton sleeves with widening shoulders overall, a highly decorated bodice with lace cutouts, the waist emphasized by ribbons tied in bows or belt, geometric decoration towards the hem (also tightly fitted), wrists, gloves, parasol, and hats decorated with plaid ribbons, feathers, and lace (published for La Belle Assemblee by G.B. Whittaker).
The Last and Newest Fashions, Morning Dresses and Fashionable Millinery, showing pelerine or Eliza collar?, a shirred bodice with a short puffed sleeve, the puffed leg-of-mutton sleeve cuffed at the wrist, continuing emphasis on the waist with belting. The dresses, along with the young girl's, also demonstrate elaborate trims. The bonnets shown are somewhat simpler, with decorative bows, ribbons and flowers. The coiffures are increasingly complex showing elaborate braiding, ringlets and bows. High, ruffled collars (Elizabethan revival) are also shown.
The Last and Newest Fashions, Fashionable Habits and Morning Dresses. The Riding Habits show a top hat decorated with flowing ribbons, a the Betsy collar (Elizabethan revival ruffle) tied with a bow, puffed leg-of-mutton sleeves with cuffed wrists, flowing skirts, and a slight jacket tail in the back. The Morning Dress has a face framing bonnet with feathers and ribbons, a lace pelerine (a shaped shoulder scarf), with bows and belts again emphasizing the waist, and puffed leg-of-mutton sleeves with cuffed wrists. The bonnets shown demonstrate a framing of the face front component with a puffed back area, decorated with ribbons, flowers, and bows (publisher unknown).

1829
Public Concert Dress and Dinner Dress, showing the following: leg-of-mutton sheer sleeves with widening shoulders overall, a highly decorated shirred bodice with decorate ribbon and exposing the neck and upper chest, the waist emphasized by a belt, geometric or flowered decoration towards the hem, cuffed wrists, fans, and hats decorated with fabric, feathers and lace (published for La Belle Assemblee by G.B. Whittaker).
Opera Dress and Private Concert Dress, illustrating cuffed short sleeves (edged with lace), shirred bodices, an emphasis on the waist, elaborate trims, elaborate coiffures and hats, decorated with feathers, ribbons, flowers, and beading (published for La Belle Assemblee by G.B. Whittaker).
Carriage Dress and Walking Dress, illustrating fur pelerine (shaped shoulder scarf), leg-of-mutton sleeves with widening shoulders overall and cuffed wrists, hats decorated with ribbons, lace, and bows, and continuing the emphasis on the waist (published got La Belle Assemblee by G.B. Whittaker).
French lady's and gentleman's dress, demonstrating the widening shoulder and bodice overlay of ruffles and bows, an accent on the waist with beading and lower hem decoration. The hat reflects Russian and Turkish influences and is in the shape of a loose turban with feathers. The gentleman is dressed in a frock coat (with emphasis on the waist), breast coat, high collar and top hat (published for Moda di Francia).
Newest Fashions for October 1829, demonstrating Morning Dress, Fancy Costume, Outdoor Dress, and Child's Dress. The Morning Dress displays a lace pelerine (shaped shoulder scarf) tied over the bodice, with puffed leg-of-mutton sleeves and cuffed wrists, patterned fabric, and geometrically layered lower hem with color coordinated bonnet with ribbons. The Fancy Costume includes a lace bonnet decorated with flowers and ribbons, the Betsy collar (Elizabethan revival ruffle), puffed leg-of-mutton sleeves and cuffed wrists, a belt emphasizing the waist. The Outdoor Dress (focusing on the ladylike pursuit of archery) shows a simpler bonnet decorated with feathers, slimmed-down leg-of-mutton sleeves and cuffed wrists, a slimmer fit through the bodice and skirt, while still maintaining the emphasis on the waist with a colored belt and purse and decoration at the lower hem. The young girl wears a simple bonnet and dress over pantalets, while still continuing the wide shoulders and decoration emphasizing the waist (publisher is unknown).

1830
The Last and Newest Fashions, Morning Dresses and Fashionable Millinery, showing pelerine or Eliza collar?, a shirred bodice with a short puffed sleeve, the puffed leg-of-mutton sleeve cuffed at the wrist, continuing emphasis on the waist with belting. The dresses, along with the young girl's, also demonstrate elaborate trims. The bonnets shown are somewhat simpler, with decorative bows, ribbons and flowers. The coiffures are increasingly complex showing elaborate braiding, ringlets and bows. High, ruffled collars (Elizabethan revival) are also shown.
Tulle dress, decorated with flowers, showing shirred bodice, lowered neckline and puffed sleeves. The waist is emphasized by a belt and there is decoration at the lower hem with the skirt being somewhat shorter. The coiffures were designed by a Mr. Albin, and they include elaborate braids and ringlets, using flowers. Accessories include elbow-length gloves, fans, and jewelry (published for Costume Parisien).
Evening Dress and Dinner Dress, demonstrating widened shoulders and lower necklines, with a sheer shirred bodice and decorative suspender overlay of fabric. Sleeves are puffed leg-of-mutton, somewhat see-through and sheer and cuffed wrists. The hats are wider and use tasseled ribbons and bows as well as flowers for decoration (published for La Belle Assemblee by Whittaker and Company).
Evening Suit, including a redingote, pantalons and a top hat. The collar is high and includes a colored tie (published for Modes de Paris).
The Last and Newest Fashions, Fashionable Habits and Morning Dresses. The Riding Habits show a top hat decorated with flowing ribbons, a the Betsy collar (Elizabethan revival ruffle) tied with a bow, puffed leg-of-mutton sleeves with cuffed wrists, flowing skirts, and a slight jacket tail in the back. The Morning Dress has a face framing bonnet with feathers and ribbons, a lace pelerine (a shaped shoulder scarf), with bows and belts again emphasizing the waist, and puffed leg-of-mutton sleeves with cuffed wrists. The bonnets shown demonstrate a framing of the face front component with a puffed back area, decorated with ribbons, flowers, and bows (publisher unknown).

1831
Gentlemen's Fashions for October 1831, Shooting and Morning Dresses. The Shooting dress is somewhat informal, and illustrates a loose blouse and pants, with belts holding hunting equipment, a colorful bag falling down the back, a straw boater hat, and a color scarf tied around the neck. The waist is emphasized by a belt. The morning dress has an overcoat falling about the knee, again coming in at the waist. He also wears a breastcoat, formal shirt, and scarf collar, in addition to carrying a top hat and cane. Both outfits are also illustrated from behind (publisher is unknown).

1832
Carriage Dress, Dinner Dress, and Opera Dress. The Opera Dress offers a striped pattern, shirred bodice, puffy leg-of-mutton sleeves, and a belt emphasizing the waist. There is quite a bit of decorate detail, particular near the hem, and the dress is a bit shorter. Accessories include a paisley shawl and a simpler bonnet with ribbon matching the shawl. The Dinner Dress demonstrates the widening shoulders and lower neckline, lace-trimmed bodice, belt emphasizing the waist, and flower detailing near the hem. The hat is elaborate and decorated with lace, ribbon, feathers, and flowers. Accessories include a fan, elbow-length gloves, and wrist cuffs. The Opera Dress also illustrates widening shoulders, short puffy sleeves, and the lowered neckline, trimmed in lace. A belt cinches the waist and accessories include a long, gold necklace and a side bonnet, with bows on one side of the head, and feathers on the top (published for La Belle Assemblee by Whittaker and Company).

1833
Carriage Dresses, illustrating the pelerine made out of matching fabric over a bodice with a high ruffled collar, wide shoulders, leg-of-mutton sleeves, decorative detailing down the front of the dress. The bonnets are fairly simple, framing the face and decorated with bows and a feather (published for the Court Magazine by Richard Bull).
Walking Dress, illustrating the pelerine made out of matching fabric over a bodice with a high ruffled collar, wide shoulders, leg-of-mutton sleeves, decorative detailing down the front of the dress. The skirt length is somewhat shorter. The bonnet is frames the face with the brim being quite detailed, and is decorated with bows and a feather (published for Lady's Magazine by J. Page, 112 Fetter Lane, London).
Morning Dress and Walking Dress. The Morning Dress illustrates a decorated apron over the dress, with a wrapped bodice underneath and patterned fabric. Leg-of-mutton sleeves and the skirt are both fairly wide, and the headwear is a lace bonnet decorated with ribbon. The Walking Dress is somewhat shorter, and has a fabric pelerine with ruffled sleeves and pulled together in front and belted as part of the dress emphasizing the waist, with a bow and ruffled collar. The matching bonnet surrounds the face and is decorated with feathers (published for the Court Magazine).

1834
Evening Dress and Full Dress. The Evening Dress is displayed from the back and demonstrates a low neckline trimmed with lace, an overlay decorated with lace and tassels, a continuing emphasis on the waist with a piped belt, and a full skirt. The coiffure is rolled and braided, and uses a hairnet and flowers for decoration with matching earrings. The Full Dress has a low neckline trimmed with lace, an apron overlay with lace sleeve overlays of puffed short sleeves, and a patterned skirt overlay of a contrasting color. The waist is emphasized with the apron meeting the skirt and tied together with long tassels. The bonnet is elaborate, frames the face, and is decorated with a feathers and ribbons. Accessories include earrings and a necklace (published for Court Magazine by Bull and Churton, 26 Holles Street, Cavendish Square, London).
Morning Dress and Carriage Dress. The Morning Dress is fairly simple and includes a ruffled lace collar with matching lace bonnet (decorated with ribbon), matching earrings and a waist-long necklace, a shirred bodice with wide shoulders and leg-of-mutton sleeves, an emphasis on the waist with a belt and a full shorter skirt. The Carriage Dress has sleeve overlays trimmed with pattern fabric, wide shoulders and leg-of-mutton sleeves, and the patterned fabric is used to emphasize the waist by leading down the front of the gown, being used as a belt, and used to trim the hem. The bonnet frames the face and is decorated with lace and ribbon (published for Court Magazine).
Walking Dresses, illustrating lace pelerines, trimmed with piping and lace, and tied together with bows, bonnets framing the face and decorated with flowers, bows, ribbon, and lace, wide shoulders and leg-of-mutton sleeve with full, but shorter skirts (published for Court Magazine by Bull and Churton, 26 Holles Street, Cavendish Square, London).
Salon Dresses, with a redingote made out of fabric apron overlays trimmed in fur and belted at the waist, loose bell sleeves also trimmed in fur, a fur collar with matching ribbon and a full skirt (which is pulled aside slightly to reveal a plaid pattern on the reverse). The bonnet frames with face with an enlarge brim and is decorated with a feather ribbon and flowers. (published for Lady's Magazine by Dobbs and Publishers, 15 Carey Street, London).
Men's Dress, demonstrating the influence of China, including a patterned robe, trimmed in satin with a matching satin beanie hat with a brim, a fabric collar and tasseled at the waist. The Woman's Dress is a redingote with fabric apron overlay, wide and loose sleeves, cuffed at the wrist, a belted waits and decorate detailing leading from the overlay down the front of the dress. The bonnet frames the face with a lace veil and feathers and ribbon to decorate. The child's dress is obscured but appears fairly simple with a lower neckline trimmed in lace, puffed sleeves and a shirred bodice. Her hair is braided with bows (published for Revues des Moderne).
Woman's Dress, showing a wide lace collar with brooch at center of neckline, a fitted bodice, puffed loose sleeves cuffed at the wrist, a patterned full skirt somewhat shorter, the bonnet had a wide brim framing the face and decorated with ribbon and feathers, and her accessories include earrings and a waist-long necklace. The Man's Dress includes an overcoat ending at the waist, but including tails in the back, trimmed with a satin collar with a cravat, a top hat, and loose fitting pants (published for Moda di Francia).

1835
Woman's Dress, made out of tulle and trimmed in satin, including a shirred overlay trimmed in lace (both front and back) over a fitted bodice, short puffed sleeves with contrasting fabric cutouts and ribbon, a full skirt decorated with a zigzag decoration beginning at the waist. The coiffures are elaborately braided and rolled, and decorated with flowers and ribbon. There is also a matching wrap. No jewelry is included (published for Le Bon Ton, Journal des Modes by M. Foster, 16 Wigmore Street, London).
Two dresses, right dress has lower neckline and exposed shoulders (for evening only); short, multi-layered sleeves, fitted bodice, yoked waist; and a full, floor length skirt, and an elaborate coiffure with ringlets, rolls and flowers. Left dress has 'V' neckline with a lace insert; lace, surplice collar; long, full sleeves with cuffs; narrow waistline, full skirt, and a spoon-shaped bonnet. (published for Court Magazine).
Morning and Carriage Dresses, morning dress has bertha collar, scarf tied around neck, enormous sleeves with cuffs, full skirt and a fabric cap trimmed with ribbons and flowers; Carriage dress covered with a cloak with an attached shoulder cape to fit over the huge sleeves and a belted waistline, dress has long, full sleeves and a full skirt, but is otherwise covered, woman also wears a spoon bonnet trimmed with feathers and ribbons. (published for Court Magazine, No. 42, by Edward Churton, Cavendish Square).
Woman's and Man's apparel; dress has sloping shoulders with a canezou trimmed in lace, enormous sleeves with ribbon cuffs, gloves, a belted waist; a full, ankle-length skirt, and a spoon bonnet trimmed with feathers and lace. The man is wearing a frock coat, a top hat, a cravat, and trousers with an instep strap. (Published unknown).

1836
Two women's dresses with sloping shoulders; long, full sleeves; belted waists; and full, floor-length skirts. Left dress has small, ruffled collar, shoulder accents, geometric pattern down center front, and a lace cap or bonnet with ribbon trim. Right dress has a shoulder cape, large oversleeves slit on inside to reveal fitted undersleeves, and a bonnet trimmed with ribbons and flowers. (Published for Modes de Paris by S. & J. Fuller, London).
Two men's outfits both with frock coats, high collars (left has cravat, right has bowtie and jabot), top hats, canes, striped trousers, and pointed-toe shoes. Man on right has his knee-length frock coat open to reveal his double breasted waistcoat, man on left has his double breasted, mid-thigh length, frock coat buttoned. (Published for Modes de Paris by S. & J. Fuller, London).
Two walking dresses, with wide collars, long, fitted sleeves, narrow waistlines, floor-length, full skirts, and bonnets trimmed with feathers, flowers and lace. Left dress has a small, net shoulder cape and matching net gloves. Right dress has shirred bodice and a shawl. (Published for Court Magazine).

1837
Woman's wedding dress with a simpler bodice, jewel neckline, lace-trimmed short sleeves, gloves, a ribbon tied around waist, and a floor length, full skirt; the veil is attached to a floral crown and is decorated with flowers. The accompanying dress has a shirred bodice, wide neckline trimmed in lace, long sleeves with elaborate upper arm trim, yoke waistline; a floor-length, full skirt, a lace shawl with ruffled edges, and a spoon bonnet with flowers and ribbons. (Published for Modes de Paris by S. & J. Fuller, London).
Two women's dresses, left dress has 'V' neckline with lace collar, fitted bodice with ruffle trim, fitted lower sleeves, narrow waistline; floor-length full skirt; ruffle edged, shawl, and a large bonnet trimmed with flowers and ribbons. Right dress is a riding habit with a jacket with contrasting collar over a ruffle trimmed blouse with a fold-over collar and neck tie; long, fitted sleeves; a narrow waist; a long, full skirt, a riding crop, and a cocked beret-style hat with attached fabric and netting over the hair. (Published for Modes de Paris by S. & J. Fuller, London).
Two men's outfits, right has mid-thigh length frock coat, waistcoat, shirt, and plaid trousers. Left man has a tail coat, plaid waistcoat, ruffle trimmed shirt, and fitted trousers. Both men have top hats, high cravats, nipped in waists, canes, and pointed toe shoes. (Published for Modes de Paris by S. & J. Fuller, London).

1838
Fashions for July showing 2 full dresses, 7 bonnets and a partial dress. The dresses have Bertha collars; long, full sleeves (2 with ruffles around upper arm), gloves, fitted bodices with narrow waistlines; and long, full skirts. The bonnets are all trimmed in various ways with flowers, ribbons, feathers, lace, and one has a veil. (Published for the New Belle Assemblee).
Two women's dresses, both covered with increasingly large, lace-trimmed shawls, both have lace collars, gloves; floor-length, full skirts, and bonnets trimmed with flowers and ribbons. (Published for Modes de Paris).

1840
Two receiving dresses, both with wide necklines trimmed with lace, long sleeves with fitted lower portions, small waists, and long, full skirts. Left dress has a pleated bodice with lace trim, puffy upper sleeves, and a shawl. Right dress has fitted bodice, ruffled upper sleeves and 2 rows of ruffles above hem. Both have bonnets that frame the face and trimmed with lace, ribbons and flowers. (Published for Le Bon Ton by Manuel Godquin, New York).
Two evening dresses with shoulder baring, wide necklines (for evening only), fitted bodices, yoked waistlines, short sleeves, gloves, full skirts and elaborate coiffures with ringlets, ribbons, and flowers. Left dress has a polonaise style skirt and right dress has a ruched bodice front and a 3 layer skirt. (published for Le Bon Ton by Edward Bull Library, London).
Three day dresses all with very full, floor-length skirts and feather trimmed bonnets. Left dress has a 'V' neckline, fitted bodice, narrow waist, long sleeves with 2 ruffles at top and full from ruffles to cuff, and bows down center front of skirt. Center dress covered with a long cloak trimmed with wide fur collar and a muff. Right dress covered with a coat with wide collar, loose sleeves and full skirt, the dress has a 'V' neckline with a lace collar. (Publisher Godey's).
The Last and Newest London & Paris Fashions Morning Dresses, showing 3 full dresses and 3 alternative bodices. Dresses all have long sleeves, narrow waistlines, and long, full skirts. Left dress has lace collar and fitted sleeves; center dress has 'V' neckline with lace wrap, pleated bodice, and full sleeves; right dress has blouson style inset with small tie collar and fitted sleeves. Bodice variations along top include a lace shawl and deeper neckline on the left dress, a lace collar added to the center dress with contrast pleating, and the right does not have the inset, but does have a ruched lace wrap. The bonnets are trimmed lace, flowers, feathers, and/or ribbons. (Publisher unknown).

1841
The Last and Newest London & Paris Fashions 1841 Evening Dresses, showing pleated and lace Bertha collars, decorated sleeves with ruffles and trim, large full gowns with additional ruffles and pleats, an emphasis on the pointed waist, and headwear consisting of lace and fabric caps, decorated with bows. (Publisher unknown).
The Last and Newest London & Paris Fashions Morning and Evening Dresses, showing 3 full dresses for evening and three alternative bodices for morning. Dresses all have wide, low necklines revealing the shoulders and chest, long sleeves, gloves, fitted bodices with yoke waistlines, and long, full skirts. Left dress has full upper and fitted lower sleeves with layered skirt and alternative bodice has fitted sleeves with 3 lace ruffles and lace around neckline; center dress has multi-ruffled sleeves with a patterned overskirt that is slit in front to reveal a ruched underskirt, alternative bodice has a lace Bertha collar and fitted sleeves; right dress has ruffles on upper sleeves and 3 ruffles above skirt hem, alternative bodice has a lace bertha collar with bow in front and larger sleeve ruffles. The 3 bonnets shown frame the face and are decorated with flowers, lace, and ribbons. The coiffures are elaborate with ringlets, buns, flowers, or ribbons. (Publisher unknown).
Two evening dresses with bertha collars, fitted bodices with pointed waists, short sleeves, gloves, and very full skirts; left dress has smooth collar with rosette trim and elaborate coiffure with ringlets and roses; right dress has pleated bertha collar with bow in front, bow and lace trim on skirt, and a fabric and feather head wrap. (Published for Modes de Paris by S. & J. Fuller, London).
Wedding dress with a 'V' neckline and a lace collar, pleated bodice, ruffled sleeves, and flounces in the full skirt and a long, lace veil attached to a rose crown. The accompanying dress has a fitted bodice with capelet, fitted sleeves, full skirt, and a small bonnet decorated with lace and ribbons. (Published for Modes de Paris by S & J. Fuller, London).

1842
Two walking dresses, both have long, full skirts and face framing bonnets trimmed with feathers, flowers and lace. Left dress has a lace collar, fitted long sleeves with extended shoulders, and a narrow waistline. Right has a capelet draped around upper body and arms with military-style closures. (Published for Le Bon Ton by Nardin, London).
Two evening dresses with bertha collars, fitted bodices with pointed waists, short sleeves, gloves, and very full skirts; left dress has smooth collar with rosette trim and elaborate coiffure with ringlets and roses; right dress has pleated bertha collar with bow in front, bow and lace trim on skirt, and a fabric and feather head wrap. (Published for Modes de Paris by S. & J. Fuller, London).
Two day dresses, both with 'V' necklines trimmed with lace, fitted bodices with yoked waistlines, long sleeves; long, full skirts, and bonnets trimmed with feathers and ribbons. Left dress has pleats on upper sleeves to control fullness and ribbon belt; right dress has multi-layered lace cape with ribbon ties in front. (Published for Modes de Paris by S. & J. Fuller, London).
Walking dress shown under a loose cape with a shawl over the cape and a bonnet. The cape has a bow and a lace collar, the shawl is trimmed with tassels, and the bonnet has ribbons and feathers. The man is wearing a topcoat with a roll collar over a double breasted tail coat, fitted trousers with an in-step strap, a cravat, a top hat, a cane and he has a very narrow waist. (Published for Modes de Paris).

1843
The Newest Fashions for December showing 4 dresses, 7 capes, and 12 bonnets. The dresses all have long sleeves, lace trimmed collars, small waists, and long, full skirts. Woman #1 has a semi-fitted cape with pagoda sleeves; #2 has a 'V' neck dress with loose fitting sleeves and ruffle cuffed undersleeves; #3 has a fur trimmed, fitted coat; #4 has a fur trimmed cape; #5 has a ruffle edged shawl; #6 has a hooded wrap or cape; #7 has a semi-fitted cape; #8 has a capelet. The bonnets are all trimmed with flowers, ribbons, lace, and/or feathers. (Published for the Ladies' Gazette of Fashion).

1844
Three everyday dresses and one man's outfit. The dresses all have higher necklines, long sleeves, fitted bodices, slim waists, and long, full skirts. The left dress has a jewel collar, fitted sleeves with cuffs, vertical pleating on bodice and skirt and a ruched bonnet; the center dress is concealed by a semi-fitted cape with pagoda sleeves and a feather trimmed bonnet; the right dress has a blouse collar, pagoda sleeves, and a lace cap. The man is wearing an overcoat, a double breasted frock coat, a cravat, plaid trousers, pointed toe shoes, a top hat, and a cane. (Published for Columbia Magazine).

1846
Fashions for March, showing lace 2 full dresses and 3 partial views. Both dresses have fitted bodices, narrow waistlines; long, full skirts, and lace caps. Left dress has an attached lace wrap tied in front and lace edged 3/4 length sleeves; Right dress has jewel collar; long, fitted sleeves, and military style trim. Left partial view shows a Bertha collar, short sleeves and a fabric head covering; center and right views have lace edged, wide necklines, short sleeves with lace trim and right has a turban. (Published for La Belle Assemblee: A Magazine of Literature and Fashion).

1847
Fashions for December, showing 3 semi-fitted capes with scalloped or ruffled edges and 2 dresses both with jewel necklines; long, fitted sleeves with lace trimmed undersleeves, narrow waistlines, full skirts and lace caps. The caped women also have bonnets trimmed with feathers and ribbon. (Published for The New Belle Assemblee: A Magazine of Literature and Fashion).

1848
Fashions for April, illustrating a loose fitting coat and 4 dresses all with fitted bodices and full skirts. Top left dress has jewel neckline, 3/4 length, ruffle cuffed sleeves, and net mitts; top center has a jewel neckline, 3/4 oversleeves with wrist length, pleated undersleeves, and brooches pinned to waist; top right has a 'V' neckline with an attached lace capelet with center front bow and ruffle cuffed, 3/4 length sleeves; all top views have lace caps. Left coat dress is simple and fitted with a fold over collar; long, fitted sleeves, and a bonnet. The coat fits loosely over the body and is approximately knee-length with 3/4 sleeves, but the dress has long sleeves; worn with a lace and flower trimmed bonnet. (Published for The New Belle Assemblee: a Magazine for Literature and Fashion).

1849
Fashions for December showing 2 semi-fitted capes and 3 evening dresses (top portion only). The semi-fitted capes have either lace or ruffle edges worn over full skirted dresses and with simply trimmed bonnets. The evening dresses all have fitted bodices; the left and center have wide necklines trimmed with lace; short, lace edged sleeves, and elaborate coiffures with ringlets, flowers and ribbons; the right has a lace capelet, 3/4 length sleeves with ruffled cuffs and a lace cap. (Publisher unknown).

1850
Fashions for August, showing Home Costumes. The dress on the left has a chemisette insert with a jewel neckline edged with ribbon, short sleeves, a full skirt with an attached apron edged with 2 rows of ruffles or puffed fabric, net mitts, and a simple hairdo. The right figure wears a full robe with an attached shoulder cape, pagoda sleeves on robe and long, ruffled cuff sleeves on the gown, button front opening only buttoned partway to reveal the simple gown beneath, worn with a lace breakfast cap. (Published for Godey's Ladies Book).
Two women at home. The left dress is blue silk with a double skirt, the longest being finished with narrow satin piping, a main work of the same extending on each side of the tunic. The Bertha collar is trimmed to correspond. The hair is dress plainly, with a wreath of flowers and foliage, and a matching corsage. The right dress is of corn-colored crepe lisse, with triple skirts, looped up by flowers of the same color. A corsage of grapes and vine leaves (Grecian corsage) and similar hair dressing is displayed (Published for Godey's Fashion Plate for the Month).

1851
Wedding day dresses, showing heavily decorated bodices with lace chemisettes and overlays, still emphasizing a small waist. Wedding dress has jewel neckline, long sleeves with ruffle cuffs, a triple layered full skirt, and a full length veil attached to a floral headpiece. The bridesmaid's (?) dress has a bateau neckline, short sleeves, and a paneled overskirt ending at the knee, each panel is edged with lace ruffles and trimmed with daisies; the underskirt is full length, plain on top, and has 3 rows of ruffles above the hem. The young woman has a lace edged, bateau neckline, yoked waistline, and a full skirt. The other women's hair is fairly simple and decorated with flowers. (Published for Le Moniteur de la Mode, by L.G. Levy and Company, Philadelphia).
Home Dresses, the left showing a fitted bodice with bateau neckline and a chemisette, short sleeves, yoked waistline, and a full skirt with a scalloped edge pulled up and trimmed with flowers to reveal a wide-striped underskirt, hair and dress extensively trimmed with flowers; the center outfit shows a semi-fitted jacket with 3/4 pagoda sleeves and lace ruffles extending below, a full skirt trimmed with buttons down center front, and severely parted hair decorated with a lace cap with ribbons attached. The young girl has her hair in a long braid with ribbons and wears a dress with a chemisette bodice, narrow waist, and full skirt ending below knee to reveal pantalets, stockings, and boots. (Published for Le Moniteur de al Mode by M. Gagelin, Paris).

1852
Two walking dresses both with high necklines, narrow waists, long sleeves and full skirts. Left dress menswear inspired with a bolero style jacket, vest, blouse, and 2 pockets on skirt; center front skirt, jacket edge, sleeves and pockets decorated with stripes. Right dress has a short cape or loose jacket with 2 rows of lace ruffles worn over a long sleeved blouse. Both women have simple bonnets trimmed with flowers or ribbons. (Published Les Modes Parisiennes).

1853
Two day dresses both with fitted jackets with lace trim, full skirts, and lace caps with flowers and ribbons. Left dress has jacket flaring out over the hips, a lace collar and chemise, and pagoda sleeves with lace trim. Right dress has a matching jacket with lace blouse, pagoda sleeves, ribbons and bows as decoration on entire outfit, ribbons on skirt form horizontal stripes. The young girl is wearing a fitted basque bodice with a high collar blouse insert; a short, full skirt; patanlets, stockings and button-top boots. (published for La Belle Assemblee).
Two day dresses both with jewel necklines trimmed with lace, fitted bodices, 3/4 length pagoda sleeves with lace and ruffle edges, small waistlines, and full skirts. The right dress has a jacket style bodice, a plain skirt, and a matching bonnet. The dress on the left has a fitted bodice over a blouse with a jabot and a lace collar, a solid underskirt with a floral patterned overskirt split down center front, and a lace bonnet with feathers and flowers. (published for La Belle Assemblee).

1854
Walking dresses for a mother and her two young children. The mother's dress has a fitted jacket that flares out over her hips with lace trim, pagoda sleeves, a full skirt and a bonnet trimmed with flowers, feathers, ribbons and lace. The young child on the left is wearing a capelet, white blouse with a fold-over collar, jacket, short skirt, pantelets, stockings, button-top boots, and a small hat. The young child on the right is wearing a short sleeve dress with a fitted bodice over a blouse with a jewel neckline and long sleeves, pantalets, stockings, shoes, and a bonnet. (published for The Lady's Companion).
Two walking dresses and a child's dress. The left dress has a fitted bodice with a lace collar; full, 3/4 length sleeves ending in layers of lace; a flounced skirt decorated with geometrically designed piping of ribbon ruffles, and a lace bonnet trimmed with ruffled lace, ribbons, and flowers. The right dress right includes a fitted wrap over a blouse, the wrap flares below the waistline and closes in front with a bow, the dress has pagoda sleeves ending in layers of ruffled lace, a full skirt; a bonnet trimmed with flowers and lace and a parasol complete the ensemble. The young girl's dress is two-piece with a fitted bodice, lace collar, 3/4 length sleeves with lace undersleeves; a short, full skirt; and pantalets. (published for La Belle Assemblee).

1855
Two walking dresses, both show a wider silhouette with extremely full skirts, capes, and bonnets trimmed with ribbons, lace, and grapes on the left one. The left dress appears to have a fitted bodice with lace color and matching wrap with ruffled edges, long sleeves with lace trim near the wrists, and a full skirt with numerous flounces. The right outfit has a cape with an intricate design and fringe along the edge over a dress with a lace collar, long sleeves trimmed in lace, and a skirt trimmed with rickrack and tassels. (published for Journal des Demoiselles, No IX).
Godey's Unrivalled Colored Fashions, showing daywear for a mother, two girls and a baby. The mother is wearing a fitted bodice covered with lace and ribbons over a chemisette, 3/4 length sleeves with multiple puffs ending in wide lace flounces and bows, a full skirt with 3 flounces, each hemmed in geometric detail. Her hair is up and she appears to be wearing a snood. The young girl on the left is wearing a pleated lace blouse with a jewel neckline, 3/4 lengths sleeves edged in lace, a ribbon belt, and full skirt hemmed at mid-calf. Her hair is braided and held in place with a ribbon. The girl on the right is wearing a dress with a pleated center front bodice and a jewel neckline, 3/4 length sleeves trimmed with lace near her wrists, a full skirt, pantalets, and a small bonnet decorated with ribbon and fabric. The baby is wearing a lace gown with a high collar, short sleeves, a bow in front, and a lace cap. (published for Godey's Ladies' Book).

1856
Two day dresses. The left dress shows a fitted bodice with a long basque edged in lace; 3/4 length, puffed sleeves ending in wide lace, a small waist, a full skirt, and a bonnet with lace, feathers and a big bow. The right dress is decorated with a rickrack design and has a fitted bodice with a narrow waist; puffed, 3/4 length sleeves with lace trim, a jewel collar with a ribbon tie, and a full skirt. Her hair is pulled back with ribbons and lace. (published for Petit Courrier des Dames).
Two day dresses. The left dress shows a wide lace collar over a chemise, 3/4 length sleeves trimmed in lace, and a full skirt with 3 flounces. The right dress shows a fitted jacket/bodice with a large basque that is elaborately trimmed in fringe over a full skirt trimmed with bows. She also wears a simple bonnet trimmed with lace and flowers. The skirts are wide and show an increasing emphasis on the back. (published for the Journal des Demoiselles, No. VIII).
Two day dresses and a girl's dress. The day dresses both have full skirts and are worn with bonnets elaborately decorated with feathers, lace and ribbons. Left dress seen from back shows a fitted wrap with fringe on the upper portion and layered flounces below the waistline. The right dress has a jewel neckline, lace collar, a fitted bodice; long, pagoda sleeves, a fringed shawl, and a full skirt with 3 flounces. The young girl is wearing a two-piece ensemble with decorative zigzagging, 3/4 length sleeves over a long sleeved blouse with a lace collar, a full skirt, and pantalets. (published for La Belle Assemblee).

1858
Two day dresses. The left dress shows a seamed and decorated bodice coming to a point at the waist, overhanging the shoulders are wide strips of fabric, the pagoda sleeves are extremely wide and 3/4 length with a lace blouse underneath, a lace collar, and very full skirt that includes a single flounce at the hem and columns of fabric poufs with bows on each side. The left dress also has a seamed and decorated bodice coming to a point at the waist with fabric extending over the shoulders, a lace collar; long, full, sleeves with 3 flounces, each edged with fringe, reflecting the 4 fringe-trimmed flounces in the full skirt. Both women have softly rolled, pulled-back hairdos and the woman on the left appears to have a snood. (published for Les Modes Parisiennes).
Day dresses for a woman, baby, and child, illustrate the wide, full silhouette. The woman is wearing a fitted bodice with lace collar; long, full sleeves, a huge skirt, and a lace cap. Both children are wearing extremely full dresses, decorated capes edged with fringe or tassels, and bonnets. (published for Les Modes Parisiennes).
Riding Wear, shows simpler dress for outdoor activities. The man is wearing a fitted, double breasted cutaway coat, contrasting trousers and a bow tie. The woman is wearing a simple dress with a fitted bodice, fold-over collar, bow tie, 3/4 length oversleeves, long undersleeves, and a full skirt. Her hat has a wide brim and is decorated with feathers. Both carry riding crops. (published for Les Modes Parisiennes by Illman and Sons).

1859
A May Party, demonstrating differing dress standards for different generations. The dress on the far left shows a wide neckline with lace trim, a large shawl edged with ruffles; a full, flounced skirt; and a wide brimmed hat with lace hanging from the edge of the brim and tied with ribbons. The older woman is seated and is wearing a dress decorated with bows that has a high collar; long, full sleeves with contrasting undersleeves, gloves, a full skirt, and a lace trimmed bonnet. The young girl in center is wearing a dress with a pleated bodice trimmed in lace around the square neckline; short, puffed sleeves; and a full skirt. The woman on the far right has a dress with 3/4 length sleeves, a full flounced skirt, and a wrap that has ruffled edges and a large bow in back. Her hair is pulled back and decorated with rosettes and ribbons. (published for Godey's).
Day dresses for different generations. The woman's dress consists of a simple, fitted bodice with a fold-over collar, bow; long, fitted sleeves with cuffs and shoulder extensions, a belted waist, and a full skirt. The dress has an asymmetrical front opening that begins at the collar and extends down the skirt. The young girl has a loosely fitted coat with full sleeves and a wide collar over a matching full skirt worn with a Eugenie hat. The young child is wearing a dress with a simple collar, bow tie, full sleeves and a heavily trimmed jacket that flares out over the hips and leads to a full, but shorter skirt worn over pantalets with stockings and button-top boots. (published for Journal des Demoiselles, No. XI).

1860
Two day dresses both with jewel necklines, fitted bodices, narrow waistlines, and full skirts. The left dress shows a simple bodice with fringe below the bustline, buttons at center front, a lace collar, long sleeves with 3 puffs on the upper arm and lace cuffs, a pointed waistline, and a skirt decorated with tassels and fringe. Her hair is pulled back with a feather set into the rolls. The dress on the right shows a ruched bodice with ribbon piping and a contrasting ruffled apron; short, puffy sleeves; a large bow at the waistline, and a small band collar with ribbon piping. The hair is simply pulled back with ribbons. (published for Les Modes Parisiennes by Illman Brothers).

1861
Two day dresses both with fitted bodices and very full skirts. The left dress shows a coordinating bolero jacket over the bodice and long full sleeves. She is wearing a bonnet trimmed with flowers and lace at the back and top. The right dress also has a fitted jacket with very loose sleeves over a fitted bodice with a small, stand up collar. The entire dress is trimmed in fur. The headwear consists of a lace cap, with small flowers. (published for Les Modes Parisiennes by Illman Brothers).
Walking dresses for 3 age groups. The woman's dress on the left has a fitted bodice with long, loose sleeves over a white blouse and full skirt. She is also wearing a bonnet decorated with matching fabric and tied with a large ribbon. The young woman's dress in the center has a pleated bodice with a small collar; long, sheer oversleeves and long, fitted undersleeves with ruffles on the shoulders; a contrasting, double pointed, fitted sash tied on the hip with both fringed ends extending over the skirt, the hem of the dress is emphasized with 5 flounces of fabric, and her hair is simply pulled back. The girl has a pleated bodice over a white blouse with a jewel neckline and long, full, semi-sheer sleeves with ruffles on the shoulders, a full skirt, and a hat decorated with feathers. (published for Journal des Demoiselles, No. VI).

1862
Two dresses both with lace collars; long, full sleeves and full skirts. The left dress has a fitted bodice with buttons down center front and piping or ribbon trim that angles to a point at the waist, the sleeves have contrasting undersleeves visible at the wrists, the skirt is plain, and she has a lace cap with ribbons. The right dress has a fitted bodice with buttons and ribbons down center front and along the sleeves, the skirt is decorated with piping, and she is also wearing a lace cap with flowers. (published for Les Modes Parisiennes by Illman Brothers).
Day dresses or apparel for three different age groups. The mother's dress shows a double breasted, fitted jacket-bodice with 3/4 length sleeves over a white blouse with long sleeves, a full skirt with stripes down center front and around the hemline, and she is wearing a small, simple bonnet with flowers. The young woman's dress has a fitted bodice with 3/4 sleeves, ruffles and surplice styling over a long sleeved, pleated blouse with a ruffle trimmed jewel neckline, a full skirt with 3 rows of decorative ruffles above the hemline, and a Eugenie hat. The boy is wearing a short sleeved bolero jacket decorated with rickrack over a long sleeved, loose blouse with a small collar, a short skirt, pantelets, stockings and button-top boots. (published for Journal des Demoiselles, No. VII).

1863
Two day dresses with large hoop skirts. The left dress consists of a pleated blouse with long, loose sleeves that are cuffed at the wrist, a jewel neckline, a double pointed sash, and a striped skirt. The right dress, which is seen from the side, consists of a plaid fitted bodice, a matching shawl, a full skirt with 3 ruffles near the bottom, and a bonnet trimmed with ribbons and lace. The young child is wearing a one piece dress, with a jewel neckline, pleated bodice, short sleeves, and center front buttons. (published for Journals des Demoiselles, No. VI by Desterbecq, Amsterdam).
Three types of outdoor dresses all with long sleeves and full skirts. The riding habit on the left has a fitted bodice-jacket with a peplum extending down the back, long sleeves with lace trim on the shoulders, a contrasting ribbon around the throat, a feather trimmed hat, and a riding crop. The right dress has a fitted jacket-bodice with ribbon trim, a jewel neckline, 3/4 length oversleeves and long undersleeves; a double pointed sash, a hoop skirt, and a ribbon trimmed hat. The young girl is wearing a simple dress with a square neckline, short sleeves, a ribbon sash tied around the waist, a full, below-the-knee length skirt, button top boots, a feather trimmed hat, and she is carrying a small racket. (published for Journal des Demoiselles, No. IX by Desterbecq, Amsterdam).
Daywear showing a variety of outerwear and day dresses all with wide, loose sleeves, and hoop skirts. The two women on the far left appear to be wearing decorated mantles or paletots over their dresses and heavily trimmed bonnets. The center woman is wearing a dress with a fitted bodice and long sleeves. The 4th woman from the left appears to be wearing a loose fitting housedress or robe with a jewel neckline, pagoda sleeves, no visible waistline, lace trim, and a lace cap. The seated woman is painting and has a dress with a small collar; long, loose sleeves, button front closure, and a lace cap with the ends trailing down the back. The young girl is wearing a dress with a jewel neckline, short sleeves, a double pointed sash, and a full skirt. The painting also provides some insight into what was considered appropriate female activity during this time period. (published for Godey's Fashions by Capewell & Kimmel).
Outside apparel with the woman's dress has soutache trim and illustrates a fitted bolero jacket with long sleeves, lace ribbon ties down the back of the full skirt, a Eugenie hat trimmed with feathers and lace, and a snood. The man is wearing a ditto suit consisting of a single breasted coat, a waistcoat, trousers, a shirt, a simple tie, gloves and a hat. (published for Les Modes Parisiennes by Illman Brothers).

1864
The New Spring and Summer Cloaks and Mantles, demonstrating 5 varieties of loose capes and tent-shaped mantles or paletots that all provided modest warmth and coverage for the large hoop skirts. They have various trims including lace, tassels, braid, and rickrack. Four of the five have sleeves that are fairly loose, and the headwear is a bit more elaborate. The dresses illustrate the changing shape of the skirts shifting more toward the back. (published for Englishwoman's Domestic Magazine by Grant & Gask, London).
Two walking dresses both with large hoop skirts. The left woman has a bolero jacket decorated with balls and her hair is pulled back into a snood. The right woman has a more fitted bodice-jacket with long tails, long sleeves, and an open front that reveals a button front vest. She is also wearing a lace cap. (published for Les Modes Parisiennes by Illman Brothers).

1865
Two evening dresses and two outdoor outfits all with enormous hoop skirts. The evening dresses in center have heavily trimmed bodices with wide necklines edged in lace, short sleeves, and simple skirts with decoration around the bottom. The left woman wears a striped dress concealed with a semi-fitted mantle or paletot with decorative buttons along front opening and a flower trimmed bonnet. The woman on the far right has a dress with a short, semi-fitted coat that matches her dress and she has a hat with ribbon and feather trim. (published for Les Modes Parisiennes by Illman Brothers).
Wedding party showing 2 wedding dresses and 3 other dresses all with jewel necklines, long sleeves and hoop skirts. Both wedding gowns have center front buttons, small lace collars, loose sleeves with ruffle trim, and full length veils attached to flowers atop each bride's head. The woman on the far left has a bolero jacket with coat style sleeves, ruffle cuffs, a button front vest, a layered skirt with pockets, and a lace cap. The woman on the far right has a bolero jacket with pagoda sleeves, a lace trimmed blouse, a trimmed skirt with pockets, and a lace cap. The final woman has a fitted bodice with long sleeves, a small lace collar, a lace cap, and a shawl. The girl has a layered bodice with a square neckline; long, full sleeves; and a short, full skirt. (published for Godey's Fashions by Kimmel & Forster, New York).
Five day ensembles all with long sleeves, fitted bodices, full skirts, and a variety of lace caps. The seated woman is in plaid with trimmed basques matching the trim around the bottom of the skirt. The 2nd woman is in a cloak or mantle. The center woman (#3) has a square neckline, braid and tassel trim on her dress and around her waist, and a layered skirt that opens in center front to reveal a lace underskirt. The 4th woman has a simpler dress with a small collar, a wide belt, and minimal trim. The woman on the far right (#5) has a semi-fitted coat that matches her skirt with ribbon and tassel trim. The girl is wearing a square necked dress with short sleeves and a full skirt, all trimmed with ribbons and lace. (published for Godey's Fashions by Kimmel, New York).
Evening and outdoor ensembles with fitted bodices and large hoop skirts. The 3 evening dresses all have wide, low necklines edged with lace; short sleeves, pointed waistlines, and gloves. The center woman has a long sleeved, fitted jacket that matches the top layer of her double-layered skirt and a lace and ribbon trimmed bonnet. The left woman's dress has a square neckline with a ribbon trimmed, pleated lace fichu; long sleeves with ribbon trim and white undersleeves; a belt, and a layered skirt. The women have their hair softly pulled back or rolled into chignons or curls and trimmed with ribbons, lace, or flowers. The dresses are all heavily decorated with tassels, piping, ribbons, rickrack, flowers, ruffles, lace, buttons, or bows. The little girl is wearing a simple, ribbon trimmed dress and a ribbon headband. (published for Godey's Fashions by Kimmel, New York).
Day and evening dresses all with full, hoop skirts. The first woman is wearing a burnoose over her dress. The second has a dagged, shoulder cape over her long sleeved, fitted bodice; a long sash tied around her waist with a bow in back; a layered skirt with a dagged, tassel trimmed top layer; and a lace cap. The center woman has a layered bodice with a jewel neckline, cap oversleeves with tassels; long, ruffle cuffed sleeves; and a belted waist with basques. The third woman has an evening dress with a wide, low neckline trimmed with ruffles, short sleeves, a ribbon sash tied around her waist, and ruffles around the bottom of her skirt. The fifth woman has a fur trimmed dress with a fitted basque bodice, jewel neckline, long sleeves, center front buttons, a fur muff and matching cloak or mantle. The child is weaning an outfit with a small collar, long sleeves, belted waist, and a skirt. (published for Godey's Fashions by Kimmel & Co.).

1866
Three walking dresses all with long sleeves and full, hoop skirts. The left woman has a loose jacket with a fold-over collar, long sleeves and decorative buttons over a dress with a decorative band around the hem, and a small bonnet with a snood. The center woman has a basque bodice with a jewel neckline, contrasting long sleeves, a belted waist, and a double layered skirt where the top layer matches the sleeves and the bottom layer matches the bodice. Her hair is pulled back into a chignon and she has a parasol. The right woman, seen from the back, wears a semi-fitted jacket, simple skirt, and a small bonnet trimmed with lace and flowers. (published for Le Monde Elegant).
Three walking dresses all with long sleeves and full, hoop skirts. The left woman has a loose jacket with a fold-over collar, long sleeves and decorative buttons over a dress with a decorative band around the hem, and a small bonnet with a snood. The center woman has a basque bodice with a jewel neckline, contrasting long sleeves, a belted waist, and a double layered skirt where the top layer matches the sleeves and the bottom layer matches the bodice. Her hair is pulled back into a chignon and she has a parasol. The right woman, seen from the back, wears a semi-fitted jacket, simple skirt, and a small bonnet trimmed with lace and flowers. (published for Le Monde Elegant).

1867
Five walking dresses all with long sleeves, jewel necklines, and full skirts. The young woman wears a loose jacket with long sleeves, a layered walking skirt where the top layer is pulled back with vertical belts to reveal the pleated underlayer, and a flower trimmed hat. The 2nd woman has a simpler dress with a belted waistline, bow trim on the floor length skirt, and a lace cap. The 3rd young woman wears a flower trimmed Eugenie hat; a striped dress with contrasting trim around the armscyes, waistline, cuffs, and skirt edges; and a complex walking skirt with multiple layers of differing shapes and sizes, center front buttons, a large bow, and a pleated hemline. The 4th woman has a simple dress with elaborate braid and tassel trim extending from the neckline and hips to the lower portion of the floor length skirt. The 5th woman has a loose jacket with complex sleeves over a dress with a layered, floor length skirt and a hat with lace and ribbon trim. (published for Godey's Fashions).
Two day dresses with long sleeves and full skirts that are starting to show the shifting of the skirt's shape from conical to bustled. The left woman has a bodice with surplice style trim, a lace jabot, a ribbon belt, and a layered skirt with the top layer pulled up over the hips in a polonaise style. The right dress has a full skirt and matching cape with a rosette in centerback and fringe trim. The hairstyles are upswept with either a bonnet or a lace cap and both have ribbon trim. (published for Petit Courrier des Dames by Desterbecq, Amsterdam).
Two day dresses both with skirts evolving into a bustle shape. The left dress is striped and has a small, band collar; long, fitted sleeves, a ribbon belt tied slightly above the natural waistline, and a layered skirt with a long train. The right dress has a fitted bodice with a band collar, long sleeves and all the skirt's emphasis is on the back with multiple, ruffle edged layers. The women's hair is piled high atop their heads with either curls or lace ribbons trailing down the back of their heads. (published for Petit Courrier des Dames).
Two day dresses, one fitted bodice with basque and coat sleeves, one loose jacket, both with hoop skirts, small hats tilted on front of heads, one dress features decorative buttons down the front of the skirt, the other scallops placed possibly over pockets.(published by Journal des Demoiselles).
Two evening dresses both with off-the-shoulder necklines and short sleeves, hoop skirts with trains, braid trim decorates bodices, decorative chemises gathered in decolletages, wrist-length gloves. (published by Journal des Demoiselles).

1868
Evening and day dresses, both have overskirts, decorative piping, and sashes at waist, evening dress features decorative buttons, off-the-shoulder neckline with horizontal lines at bust and cap sleeves, small train, wreath of leaves worn beneath braid, day dress has decorative hemline at ankle height, flounce and pocket in overskirt, coat sleeves, hat on top of head with long trailing ribbons and lace. (published by Journal des Demoiselles).
Three day dresses with jewel necklines, long sleeves, elliptical hoop skirts and small trains. One wears a capelet with fringe and a large bow at center back, and a small bonnet. The second has a waistline sash with long trailing ribbons, a shorter overskirt matching bodice, and a Eugenie hat with bird. The third wears a simpler dress with buttons down center front and no visible waistline seam. (published by Le Monde Elegant).
Three evening dresses with off-the-shoulder necklines and puff sleeves, trim on bodice in v-shape, elliptical hoop skirts with trains and elaborate overskirts with angular design elements, abundant lace, floral, and rosette trim, hair in chignon with trailing ringlets and flowers. (published by Le Monde Elegant).
Two day dresses with bustles and overskirts, ruffled hems with one or three rows of ruffles, sashes at waist, coat sleeves, bodices have v-shaped detailing, hats sit on top of heads with wide ruffled ties. (published by The Englishwoman's Domestic Magazine").
Two day dresses with elliptical hoop skirts with shorter overskirts and wide lace trim in back, coat sleeves with shoulder ruffles, bodices have v-lines, one hat sits on top of head, the other is brim-less bonnet trimmed with ruffles and a bird. (published by Le Monde Elegant).

1869
Three day dresses, ankle-length hoop skirts with multiple flounced overskirts, coat sleeves, both v and horizontal lines on bodices, pleated ruffles or lace trim, small hat sitting on top of one's head and a small bonnet on center woman's head, both decorated with ribbons and flowers, while third woman has her hair up with a large flower resting atop her chignon and ringlets hanging down back. (published in Le Monde Elegant).
Three day dresses with large hoop skirts all with multiple ruffled and flounced overskirts, long sleeves, high necklines. One has basque bodice, one wears cape with tassels, one small matching capelet with ribbon rosettes and ruffles. All have much rosette and ribbon trim and small Eugenie hats with flowers and ribbons. (published by Le Monde Elegant).
One formal day and a wedding dress both with bustle skirts and multiple flounced and ruffled overskirts, sashes at waist, coat sleeves. Bride has a long train and a full length veil. Attendant has a bonnet trimmed with flowers and ribbons. (published by The Englishwoman's Domestic Magazine).
Five day dresses with elliptical hoop skirts with small trains and multiple ruffled and flounced overskirts, sashes just above waistline with small bows or ribbon rosettes, all have long sleeves, high necklines, and all dresses are heavily trimmed. Three women wear small bonnets on their heads trimmed with flowers and feathers, one has flowers atop her head and the fifth has an intricately braided chignon with a single ringlet. One boy wearing suit with short pants, stocking and boots. (published by Godey's Fashions).
Five day dresses with bustles and small trains, multiple flounced and ruffled overskirts, sashes at waist with large ribbons at center back enhancing the bustles, extensive use of lace trim all over dresses and in hair; coat sleeves with lace, rosette or ribbon trim. Small bonnet on front of one woman's head while other women have ribbons, lace or flowers intertwined in their long locks. (published by Godey's Fashions).
Two walking dresses with hoop skirts and multiple flounced and ruffled overskirts. One wears blazer style jacket and a small hat with a matching veil hanging behind head whereas the other wears a small hooded capelet with ribbons and a large tassel. Both dresses are heavily trimmed. A young girl in a similar style short dress is also shown. (published by Le Monde Elegant).

1870
Three day dresses with bustle skirts and multiple flounced and ruffled overskirts, one with a train and a square neckline filled with lace and pagoda sleeves. The other two have coat sleeves and high ruffled necklines. Hair trimmed with ribbons and flowers. (published by Mme. Demorest's Mirror of Fashions).
Three day dresses with hoop skirts and bustles, two have multiple flounced and ruffled overskirts. One wears blazer style jacket and a small hat with feathers whereas another wears a dolman and a small bonnet with ribbons, flowers, and braid trim. (published by Le Monde Elegant).
Three evening dresses with off-the-shoulder squared necklines, flounced and ruffled overskirts, sashes just above waistline with small bow or rosette on two women. All dresses heavily trimmed with flowers, rosettes, lace and ruffles. Hair trimmed with flowers and feathers, no gloves. (published by Le Monde Elegant).
Five day dresses with bustle skirts with multiple rows of ruffle at hem and flounced overskirts, fitted bodices with coat or pagoda sleeves, fitted overcoats with fur trim, high necklines. Small hats sit on top of head, trimmed with feathers and ribbons. One child with short jacket, skirt, stockings and boots. (published by Godey's Fashions).
Two young women in day dresses with conical ankle length skirts, one has pagoda sleeves over long sleeves and other just has long sleeves. Both have boots with slight heels and one wears a Eugenie hat trimmed with feathers. Girl has a short dress and both young men wear long sleeve jackets with short pants and shorts covered with tall button spats that end just below the knee. No adults in image. (published by Journal des Demoiselles).
Two day dresses with bustle skirts with multiple ruffled and flounced overskirts, basque bodices with sashes at waist with bow, coat sleeves with ruffles or lace at shoulders, elbows and wrists, one Eugenie hat with feathers and veil to back and one small bonnet with flowers and ribbon. Young woman has a bloomer costume with a pinafore, stockings, boots, and a Eugenie hat with flowers and ribbons. (published by Le Monde Elegant).

1871
Two day dresses with slight bustles, multiple ruffled and flounced overskirts, one displays a basque bodice with long sleeves that end in a bell cuff, other wears Dolman cape and a small hat tilted to front with flower, feathers and a ribbon hanging down back. Both have high necklines and heavily trimmed dresses. Young girl with short dress and matching capelet, stockings, boots and small hat with ribbon. (published by Le Monde Elegant).

1872
Heavily trimmed day dress with bustle, small train, long sleeves with ribbons on shoulders and high neckline, with fringed overskirt. One riding habit with a simpler skirt and smaller bustle, open front blazer-style jacket with loose sleeves, fitted vest, tie, and riding hat with feathers, riding whip, and gloves. (published by Mme. Demorest's Mirror of Fashions).
Wedding dress with multiple flounced and ruffled overskirts, square neckline filled with scarf, elbow length sleeves with three puffs, full length veil, with 4 strands of pearls around neck, gloves, a fan and dress and veil trimmed with flowers. Bridesmaid dress has square neckline, short sleeves, bustle skirt with multiple gathers enhancing the bustle, flowers in hair. Both waists come to point at center front and center back. (published by Mme. Demorest's Mirror of Fashions).
One adult day dress with a bustle and multiple overskirts, pagoda sleeves with tassels on opening from elbow to wrist, tassels on overskirts and shoulder/back area, hat has flower and ribbons. Young women's dresses are shorter with smaller bustles and bows, stockings and boots. Young woman wears a boater hat with ribbons and a snood whereas girl has a pill-box hat with feathers. (published by Journal des Demoiselles).
Two day dresses with bustles, underskirt has no trim, single overskirt on each has ruffle trim, sash with bow on one, both have pagoda sleeves with trim at wrist, v-lines in bodice, one has a hat with flowers and a parasol, the other has a ribbon with snood. Young boy in a suit with short pants and soutache trim, stockings and button boots. (Journal des Demoiselles).
Two heavily trimmed day dresses with bustles, multiple flounced and ruffled overskirts, large bows at hips. One has a small hat with flowers, ribbons and bows, the other has jacket bodice with pagoda sleeves and lace under sleeves with scarf tied at throat. (published by Demorest's Monthly Magazine).

1873
Two evening dresses with bustles, multiple overskirts with ruffles and lace trim, wrist length gloves, hair completely up with small feather in one's hair, necklace and bracelets, one has wide rounded neckline with short puff sleeves and pointed waistline, other has dolman with embroidered trim and tassels. (published by Mme. Demorest's Mirror of Fashions).

1874
Two heavily trimmed day dresses with bustles, multiple flounced and ruffled overskirts, large bows at hips. One has a small hat with flowers, ribbons and bows, the other has jacket bodice with pagoda sleeves and lace under sleeves with scarf tied at throat. (published by Demorest's Monthly Magazine).
Two day dresses with small bustles with large bows and trains, multiple ruffled, bobble and lace-trimmed overskirts, coat sleeves, stand-up collar, hats have flowers and lace. (published by Demorest's Monthly Magazine).

1875
Two day dresses with bustles, single ruffled overskirts, ruffles on underskirt, basque bodices, buttons down center front, stand up collar, long sleeves with wide cuffs, hats with flowers and bows. Young woman with a short bustle dress, basque bodice, long sleeves, hat with ribbon and flower trim, stockings and button top boots. (published by Journal de Demoiselles).

1876
Two heavily trimmed day dresses with small bustles and intricate detailing and trim on skirts, front of one skirt repeatedly gathered horizontally with buttons, other has multiple overskirts flounced, tasseled and gathered to form tail. First has fitted basque bodice with buttons down center front, pointed waist, lace scarf at throat, and long coat sleeves. Other has a dolman cape with tassels and bows, hat piled high with flowers and ribbons. (Published by Demorest's Monthly Magazine).
Three day and two evening dresses all with bustles and multiple flounced, ruffled, and tasseled overskirts gathered with bows and flowers several times to form trains. Day dresses have band collars, long sleeves with wide cuffs, fitted bodices, and two wear hats with flowers, birds and draped fabric. Evening dresses have wide rounded necklines, short sleeves, hair decorated with flowers and feathers, elbow length gloves. All dresses heavily embellished and all women's hair is piled high atop their heads. (published by Godey's Fashions).

1877
Two day dresses, sloping bustles, multiple ruffled overskirts gathered with large bows to form train, coat sleeves with wide cuffs, stand-up collars with lace, right dress has buttons and bows along an asymmetrical front closure, hair piled on head. (published by Demorest's Monthly Magazine).
Two day dresses, sloping bustles, multiple ruffled overskirts shaped to form train, right has basque bodice with decorative buttons in back over bustle and on cuffs, stand up lace collar. Left wearing long cape with embroidery and bobbles or lace trimming edges, hair piled high with a feather hat with bird and wide ties. (published by Demorest's Monthly Magazine).
Two day dresses with sloping bustles and overskirts gathered with bows to form train, tassels, wide cuffs with ruffles or ribbon trim, jacket bodices curve over hips to point at center front, decorative buttons and bows, standup collars edged with lace, overall dresses heavily trimmed, hats with wide ribbon, flowers and feathers. Young girl in 3/4 length coat with asymmetrical buttons, bow detail, high boots and decorated hat. (published by Journal des Demoiselles).

1878
Two day dresses with small sloped bustles and narrow skirts creating hobble effect, coat sleeves with wide cuffs, and stand-up collars. Left dress has overskirt gathered into contrasting train, diamond-shaped cutouts of contrasting fabric down entire front, contrast fabric edges pocket opening, carrying parasol. Right dress has princess seams and gathered fabric behind knees with large ruffle around hem and hat with bow and flowers and a parasol. Young boy wearing a below-the-knee coat with plaid stockings, and small boater hat. (published by Le Journal des Dames et des Demoiselles).
Two day dresses with small sloped bustles, overskirts gathered into trains, heavily trimmed with ruffles or tassels, and stand-up collars. Right dress has coat sleeves with military-style frogging on sleeves, bodice is princess-cut leading into gathered fabric on derriere that forms the train. Left dress covered with long coat with diagonal line of buttons, three layers of lapels and cuffs, hat with feather and ribbon. (published by Le Journal des Dames et des Demoiselles).
Five dresses, all with small, low bustles and narrow ruffled skirts gathered with layers of fabric into trains, heavily trimmed, princess seams predominate. Three day or visiting dresses with long, coat sleeves; high collars, feather trimmed hats, and two have coats. Two evening dresses, one with cap sleeves, lace trim, other with dolman and lace trimmed hair covering. All wear gloves, three have earrings, two wear bracelets. (published by Les Modes Parisiennes; Peterson's Magazine).

1879
Two day dresses with small sloped bustle, narrow skirts, overskirts gathered several times horizontally with bows, heavily trimmed with ruffles or lace. Right has jacket basque bodice, lapels, large bow at throat from small bonnet, buttons on underbodice. Left dress has lace collar open at throat, princess seams in back, contrast underbodice with buttons down center front, hat trimmed with feathers and flowers. Girl in coat with lace collar, ruffles at hem, stockings, high boots, and ribbon trimmed hat. (published by Le Journal des Dames et des Demoiselles).

1880
Two evening dresses with small bustles and narrow ruffled skirts gathered with layers of fabric into long trains, both heavily trimmed with bows, roses, and ruffles. Left dress has deep decolletage with straps on shoulder edge, center front buttons and pointed basque bodice, long gloves, earrings, necklace, and bracelet. Right dress covered with long, heavily embroidered dolman with fur trim. Both have hair piled on head and trimmed with roses. (published by Journal le Printemps).
Five day dresses with small sloped bustles, overskirts gathered multiple times, heavily trimmed with bows, ruffles, and contrasting fabric; most bodices have princess seams, buttons, stand up ruffles at throats, variety of hats trimmed with feathers.(published by Les Modes Parisiennes:Peterson's Magazine).

1881
Five day and walking dresses with small sloped bustles, skirts heavily trimmed with multiple layers of ruffles, two jacket bodices with lapels, one mourning dress, one dress with overlapped bodice and asymmetrical trim, final covered with coat. Four have hats trimmed with feathers, flowers, ribbons or fabric. (published by Les Modes Parisiennes:Peterson's Magazine).

1882
Three day and two walking dresses all with small sloped bustles, narrow skirts trimmed with layers of ruffles or lace. Bodices on day dresses curve over hips with princess seams, buttons down center front, overall heavily trimmed, hats with flower and ribbon trim. Walking dresses simpler with belted waists, lapels, left has double row of buttons, right is sailor style, both have hats with ribbon bands and walking canes. (published by Les Modes Parisienne:Peterson's Magazine).

1883
Bridesmaid, wedding, day and two visiting dresses all with large bustles. Bridesmaid dress has wide neckline and cap sleeves, elbow length gloves, flounced and ruffled skirt. Wedding dress heavily trimmed with flowers and lace and fabric draped around hips, leg-of-mutton sleeves, collar close around throat, full-length veil. Day dress has elongated "v" detailing on bodice, stand up collar, buttons down center front, long sleeves. Visiting dresses appear heavier with high collars, long sleeves, one trimmed with fur, both decorated, both have hats with large feathers. (published by Les Modes Parisiennes:Peterson's Magazine).

1884
Five day dresses with large bustles, no trains, overskirts gathered to enhance bustle size and shape, underskirts pleated on four, no lace, bodices have long vertical lines, large peplums, band collars, leg-of-mutton sleeves either full or 3/4 length with longer gloves, hats have tall crowns, wider brims, and trimmed with feathers, birds, flowers, or ribbons; four carry parasols. One dress has polka dots. (published by Les Modes Parisiennes:Peterson's Magazine).

1885
Five day dresses with large bustles, overskirts gathered horizontally to enhance bustle, no train, underskirts pleated or with ruffles at hem, bodices have vertical stitching, basque or cuirass bodices, long sleeves, band collars with lace or blouse above collar, hats with tall crowns, small brims, trimmed with fabric, birds, feathers. (published by Les Modes Parisiennes:Peterson's Magazine).

1886
Two day dresses, large bustles without trains, left skirt has wide pleats, right gathered to drape over bustle, long sleeves, band collars, Right dress has contrasting stomacher, hat with tall crown, small brim, trimmed with dead bird. (published by Godey's Fashions).
Two day dresses, large bustles, wide pleated skirts, basque bodices with large peplum draped over bustle (right dress), buttons, band collars; overskirts flounced, decorative buttons at waist and along bodice lines (left dress); both have 3/4 length sleeves with long gloves; hats with tall crowns and flipped up brims, trimmed with a bird, feathers, or ribbons. (published by Godey's Fashions).
Wedding and bridesmaid dresses, large bustles, band collars. Wedding dress has wide pleats in underskirt, overskirt gathered to enhance bustle, long sleeves, basque bodice, full length veil, much lace and flower trim. Bridesmaid dress has overskirt gathered with ribbon to enhance bustle, basque bodice ending in point with ribbons at waist, leg-of-mutton sleeves are 3/4 length, long gloves, bracelets, small decorative comb in hair. (published by Godey's Fashions).

1887
Two day dresses with large bustles, overskirts gathered to enhance bustle, underskirts have vertical lines of decorative embroidery or buttons, sleeves are 3/4 length with long gloves, bishop sleeves (left) or coat sleeves (right) of 3/4 length, with wide cuffs, bodices have wide lapels over decorative underbodice (left) or blouse (right), left bodice is asymmetrical, both have high band collars, hats have tall crowns, small brim, trimmed with fabric and ribbon. (published by Godey's Fashions).
Five day dresses, large bustles, overskirts gathered into bustle; two trimmed with lace, four have contrasting fabric, 3/4 length coat sleeves with wide cuffs and long gloves, fitted jacket style bodices with pleated fabric or lace insets, small lapels or band collars, all hats have tall crowns, brims low in front and flipped up in back, trimmed with ribbons or flowers. Girl in dress with bishop sleeves, small band collar, short skirt, stockings, tall hat, and buckle shoes. (published by Les Modes Parisiennes:Peterson's Magazine).

1888
Two day dresses, bustles, overskirts gathered into bustles, high band collars. Right dress has five layers of lace on underskirt, lace inset into a "V" in center front of basque bodice, 3/4 sleeves with small lace ruffle cuffs. Left dress has jacket bodice with button trim on each side of center front, long sleeves with gloves, hat with tall crown, trimmed with feathers and ribbon. (Published by Godey's Fashions).
Five day dresses, bustles, flounced overskirts, gathered underskirts, visible buttons trim two bodices, and bows on one overskirt, long sleeves, jacket bodices with "v" or straight center fronts, high band collars, embroidery decorates one bodice, all have hats with tall crowns and brims trimmed with birds, feathers, and ribbons. Center woman wears a matching shawl. (published by Les Modes Parisiennes:Peterson's Magazine).

1889
Two day dresses, moderate bustles, wide pleats, short train on right dress, small leg-of-mutton sleeves, left dress has jacket bodice with lapels, left appears to have vest, high band collar or bow at throat, hair piled high without decorations. (published by Godey's Fashions).
Five day dresses, large bustles, overskirts gathered and ruffled into bustles, sashes at waist on four, variety of sleeve styles including short and leg-of-mutton, four have shallow "v"-shaped necklines with wide flat ruffles extending over shoulders or band collar with ruffle, fifth has small band collar, variety of hats including three with tall crowns and large brims and one with tall crown and no brim, all trimmed with ribbons and flowers. (published by Les Modes Parisiennes:Peterson's Magazine).

1890
Five day dresses, moderate to large bustles, overskirts trimmed with embroidery, braid, or fur, two bodices are asymmetrically layered, two have jacket style bodices with lapels and buttons, leg-of-mutton sleeves, band collars on three, "v"-neck with wide flat ruffle on one, one has dolman with fur trim and tippets in front; two have hats, one has a flat crown and large brim, the other has a tall crown and no brim, both are trimmed with feathers and bows; other three have hair pulled up or back and trimmed with bow, pearls or nothing. (published by Les Modes Parisiennes:Peterson's Magazine).
Five day dresses, four with small bustles, all have high collars. Three have coats, one has single breasted, fur trimmed coat with bell sleeves; center coat is double breasted with large lapels and three layers of capes over shoulders, third is fitted with fur trim and leg-of-mutton sleeves. Far left day dress has overlapped front with same fabric inset, leg-of-mutton sleeves and embroidery trim. Center figure beginning to show typical "S" shaped silhouette of the period in a dress with contrast front and 3/4 length sleeves . Three with brimless hats trimmed with fabric, and two have veils. (published by Les Modes Parisiennes:Peterson's Magazine).

1891
Five day dresses, small bustles, overskirts trimmed with embroidery on three, fitted jacket style bodices with lapels and high band collars on four, waists curve to a point in front, leg-of-mutton sleeves either full or 3/4 length with gloves, hats are small, trimmed with lace or flowers and ribbon. One wears a full length cape with layered collars and ribbon closure. Child wears a dress with asymmetrical closure, pleated skirt, stockings, soft hat, and high boots. (published by Les Modes Parisiennes:Peterson's Magazine).

1892
Five dresses (day, evening, three walking), all have small bustles, narrow skirts, two have short trains. Three have leg-of-mutton sleeves, one has bishop sleeves, evening dress has puffy sleeves that end at elbow with large bows on shoulders, and deep "V" neckline. Walking dresses have high band collars, asymmetrical jacket style bodices, two with long peplums, two have waistband sashes, all have small hats with ribbons and feathers. Day dress has shallow "V" neckline, wide waistband sash, large lapels, flower pin. (Les Modes Parisiennes Peterson's Magazine).

1896
Two day dresses with cone shaped skirts, no added trim or ruffle, empire puff sleeves, left has princess seams on jacket style bodice, v-neck lapel over band collared blouse, right has animal neck wrap, both hats have wide flat brims, trimmed with large ribbons and feathers. (published by The Delineator).

1897
Five shirtwaists, with high collars and bow ties, long leg-of-mutton sleeves with buttoned cuffs, three with buttons down center front, one has three pleats in front, last is gathered in front, two have flat hats with ribbons or lace and flowers, all wear belts. (published by The Delineator).
Two day dresses, cone shaped skirts with ruffled trim, one skirt has two rows lace and ruffle trim, waistband sashes with small bows at hip, both bodices have wide ruffled yokes over shoulders, modified leg-of-mutton sleeves, high collars with additional lace ruffle, both have flat hats with lace, flower, and feather trim. (The Delineator).
Two day dresses, both have cone shaped skirts, decorative braid at hem, high collars with lace at throat, left dress has lace ruffle down one side of bodice, leg-of-mutton sleeves, small scalloped peplum, and a brimless hat with ribbon, flower, and feather trim; right dress has a short cape with bows at shoulders and a cascade of lace down front, sleeves fitted from elbow to wrist with lace cuffs, hat with wide upturned front brim and tall crown with flowers, feathers, and ribbon. (published by The Delineator).
Two evening dresses, skirts have small bustles, full at hem, waist sashes, short sleeves with large shoulder puffs, hair piled on head without decorations; left dress has ruffle from shoulder to hem, bodice is draped horizontally, elbow length gloves; right dress has a ruffled swag at bottom of skirt, pointed yoke at shoulder. Both dresses beginning to display the "S" shaped silhouette with full monobosoms and skirts with slight flair in back. (published by The Delineator).
Wedding and bridesmaid dresses, full skirts with slight bustle, waist sashes with small bows, bodices display monobosom effect, high collars, long modified leg-of-mutton sleeves; wedding dress has ruffles and flowers at hem, train, bodice has ruffled yoke, sleeves shirred to wrist ruffle, full length veil; bridesmaid dress has lace at throat, shoulder yoke, sleeves have cuffs, hat has ruffle and large feathers. (published by The Delineator).
Adult and adolescent day dresses, full skirts, leg-of-mutton sleeves, braid at wrists and down front of both bodices, hats have flat brim and trimmed with large ribbons and feathers, adolescent dress ends at ankles, skirt decorated with braid and buttons, bodice has asymmetrical styling with line of lace ruffle down one side and small peplum, button top boots; adult dress is to ground, bodice has peplum, high turned-out collar, bow at side of neck, purse hangs from waist. (published by Standard Designer).

1898
One walking dress, cone shaped skirt with fur trim at hem, hip-length cape with Medici collar, button flap closure, fedora style hat with feathers or bird trim. (published by The Glass of Fashion).
Two day dresses, full skirts, left dress has braid or soutache trim down bodice to skirt hem, leg-of-mutton sleeves, high turned-out collar, hat with curved brim trimmed with feathers and a buckle; right outfit is shirtwaist with horizontal pleating and leg-of-mutton sleeves, full skirt, high collar with lace tie, hat with flat brim trimmed with ribbons and bird. (published by The Delineator).
Six children's military style outfits, two for boys, one with short pants and a jacket with frogging, other with long pants and sailor style jacket and cap; girls' dresses end at midcalf or ankle, bodices and skirts trimmed with frogging and braid, leg-of-mutton sleeves, high collars, two also have lapels, hats military style or boaters trimmed with feathers or ribbon. (published by The Delineator).
Evening dress, full skirt with fall of lace down side and train, sleeves have shoulder puffs and are fitted to wrist with lace ruffle cuffs, v-shaped neckline, one side of lapel is contrast fabric, the other lace, hair piled on top of head. (published by Standard Designer).
Evening dress with full skirt and small train, square neckline, bloused bodice, short sleeves are shoulder puffs with double yoke, full length gloves, corsage, feather trimmed fan, hair piled high; girl's dress is below knee with lace ruffle and full skirt, geometric lines of trim, bodice has two lines of lace ruffle from shoulder to waist, lace ruffle around jewel neckline, sleeves are shoulder puffs with yoke, shoes are flat with strap, long hair. (published by Standard Designer).

1899
Two visiting dresses, skirts display morning glory shape, belted, leg-of-mutton sleeves, high collars, hats have curved brims with flowers and feathers, bodices loosely fitted in front, vertical lines of fabric or braid trim down bodices and skirts. (published by The Delineator).
Two day dresses, fitted skirts with bell flare at hem, left dress has ruffle at hem, wrist length cape with Medici collar and fall of lace at throat, flat hat with feathers and veil; right dress has parallel vertical lines of braid down sides of skirt, fitted jacket with coat sleeves and Medici collar, trimmed with fur, turban with ribbon and feathers. (published by the Designer).

1900
Wedding and bridesmaid dresses, fitted skirts with bell flare, high band collars, wedding dress has two layers of scalloped lace at hem with flowers and a train, lace overbodice with ruffle under bust, elbow length sleeves with ruffle, elbow length gloves, full veil with flowers; bridesmaid has lines of trim at hem, vertical tucks in skirt, swath of fabric at bust ending in puff and fall of same fabric (monobosom), lace on upper bodice and fitted sleeves to wrist with fabric change at elbow, hat has wide curved brim with large feathers. (published by The Delineator).
Five girl's and adolescent's dresses, two girls in double breasted overcoats to midcalf, yokes over shoulders, one bonnet with ribbon and plume, one hat with plume; three adolescents in full skirts to midcalf, double breasted overcoats to waist, hip, or midcalf with wide lapels, high collars (one with tie), hats have wide ribbon bows and/or large feather plumes. (published by The Delineator).
Two day dresses, fitted skirts with bell flare at hem, jackets with coat sleeves, wide lapels and button closure over blouses, right shirtwaist has high men's style collar with tie and left has high band collar, hats have slightly curved brims and flat crowns with fabric band or bow. Right outfit shows menswear inspired tailoring. (published by The Delineator).

1901
Two reception gowns with fitted skirts with bell flare, waist sashes, left dress has coat sleeves to elbow with turned back cuffs and loose undersleeves to cuff at wrist, square lace yoke and high collar; right dress has wide lapels with turned up collar over blouse, hat has narrow brim with fabric band and plume, fox stole. Both show monobosom bodices and "S" shaped silhouettes. (published by The Delineator).
Two afternoon dresses, bell shaped skirts with multiple ruffles at hem and small trains, sashes at waist with bow at side, high collars, right dress has bishop sleeves changing material partway down forearm to wide cuff; left dress has fitted sleeves that change to lace at elbow and are full to long, fitted cuffs; hats have fabric and flower trim, right has a wide brim. (published by The Delineator).
Five coats for children and adolescents, adolescent's skirts bell shaped to midcalf, jackets with wide lapels over blouses with high band collars, coat sleeves without cuffs, hats have wide brims with ribbons or feathers; children's coats to midcalf, button closures either double breasted or asymmetrical, high band collars and yokes, coat sleeves with cuffs, hats have wide brims and ribbon or feather trim. (published by The Delineator).

1902
Two day dresses, gored skirts with lines of trim and flare at hem; left dress has boxy, double breasted jacket, wide lapels over tie, high collar, fur stole, hat with large feathers; right dress has fitted jacket with long lapels over blouse, high collar, hat with curved brim and feathers. (published by The Delineator).
Two evening dresses, morning-glory style skirts with slight trains, straps at shoulder, monobosom bodice to narrow, pointed waist; single flower in each woman's hair, elbow length gloves; left dress has three small ruffles at hem, flowers across straight neckline, straps around shoulders and upper arms; right dress has embroidery at hem and down front, embroidered sleeves from upper arm to elbow leave shoulder bare. (published by The Delineator).
Two walking dresses, morning-glory skirts with flared hem, left has coat to midcalf trimmed with fur on lapel and cuffs, fur muff and fur and lace headcovering; right coat to midthigh with embroidered lapel, Medici collar, high collar blouse with jabot, picture hat with fabric and feather trim, fur muff, gloves, small handbag. (published by The Delineator).
Three girl's and two children's dresses, all dresses have loose bodices and sashes at waist; girl's dresses have skirts to knee, bishop sleeves, wide yokes, high band collars, ribbons in hair, Mary Janes or low boots; adolescent's dresses to midcalf or ankle, bishop sleeves, yokes, one with sailor style tie, high band collars, ribbons in hair, low heeled shoes. (published by The Delineator).

1903
Two day dresses, morning-glory skirts, high band collars, bishop sleeves, S-shaped silhouette; left dress has square yoke and sailor tie, flat straw hat with fur trim; right dress has monobosom bodice, sash waist, embroidery or trim down from high collar to hem down center front, large straw hat with flowers, parasol. (publisher not listed).

1904
Two day ensembles, right has shirtwaists with full, elbow length sleeves, high collar, monobosom, full skirt with two ruffles at hem; left dress has high collar, bishop sleeves and pleated front, belted waist, full or bell shaped skirt, hair piled high without decorations. Both exhibit Gibson girl style. (published by New Idea Woman's Magazine).
Two outing costumes that exhibit the typical S-shaped silhouette of the period. The left outfit consists of a shirtwaist with a high collar, small bow tie, buttons down center front, long sleeves with cuffs, a belt, and a skirt with gores that develop into inverted pleats above the hemline. The right outfit consists of a shirtwaist with a sailor style collar, long sleeves with cuffs, a belt, and a gored skirt. Both women have their hair pulled back and loosely piled atop their heads in the Gibson girl style and both sport low-heeled, tie shoes. (published in New Idea Woman's Magazine).
Two children's dresses and two children's coats, boy's dress to knee, belted, bishop sleeves, high collar with large bow, hat with wide brim; girl's dress pleated from drop waist to knee, bishop sleeves, high collar, contrast center panel on bodice, bow in hair; girl's coat to knee, belted, cape collar, double row of buttons, sailor hat with wide brim; girl's 3/4 length jacket with bishop sleeves and cape collar, single row of buttons, lapels, wide flat fabric hat. (published by New Idea Woman's Magazine).

1905
Two day dresses, both with menswear inspired jackets, right jacket is cutaway style with single button and deep "U" neckline, full sleeves to wide cuffs; left is midthigh length with wide lapels, very full sleeves and fitted waist, both jackets over vests and blouses with high collars; both have full, gored skirts; both picture hats have large swooping brims and feathers. Right carries small handbag, left has fur stole (published by The Delineator).
Two ladies' suits with full skirts, left suit has box pleated jacket with yoke over shirtwaist with full sleeves to mid-forearm and fitted sleeves to wrist, high collar, waist sash, picture hat trimmed with ribbons; right outfit has fitted jacket with lapels and bishop sleeves over shirtwaist with high collar, wide feather trimmed hat. (published by The Delineator).
Two reception dresses, full skirts, left trimmed with lace, right with embroidery, bodices have wide round or v-shaped necklines, monobosom bodices with fitted waists, sleeves are large puffs or layers of lace from shoulder to elbow, elbow-length gloves; right dress has diagonal flower sash on bodice, no hair trimmings. (published by The Delineator).
Two adolescent outfits and two girls coats, outfits consist of ankle-length, full skirts that are pleated and jackets with bishop sleeves, right is hip length with pleats and attached belt, left cut-away with small peplum, small girl's coat knee length with embroidered cape collar, other knee length with fur trim on lapels and cuffs, bishop sleeves, all hats are wide and flat, trimmed with feathers and fabric, one with fur. (published by The Designer).

1906
Two day outfits, left consists of fitted jacket with small lapel, leg-of-mutton sleeves, high collar shirtwaist, full bell-shaped skirt; right consists of a waist with high collar, leg-of-mutton sleeves with fabric change at elbow, gathered front, jumper style bodice with two buttons, full skirt, hats trimmed with flowers and feathers. Both exhibit "S" shaped silhouette. (published by The McCall Company).
Two evening gowns, left bodice has round neckline with embroidery, short puffed sleeves, elbow length gloves, skirt gathered on each hip; right has slight v-shaped neckline, lace trim, puffed sleeves to elbow, elbow length gloves, smocking below bust to hips, hair piled high. Both exhibit "S" shaped silhouette. (published by The Delineator).

1907
Two day dresses, right dress jumper style with square neckline over blouse with full sleeves and high collar, tie around neck, fitted waist, pleated skirt; left more decorative with braid trim down sides and front, v-neck over high collar inset, darts at waist under sash, blouse sleeves puffed at shoulder, fitted from elbow to wrist, wide fabric trimmed hat, shawl. (published by The Delineator).
Five girl's dresses and coats, skirts are pleated, bishop sleeves, (from left to right) jacket and knee length skirt with fur trimmed lapels and cuffs and a pillbox hat; Eton jacket, calf-length skirt and feather trimmed hat, button top boots; empire waist, knee length coat with fur collar, cuffs, muff and a fabric hat with feathers; pleated drop-waist knee length coat, wide flat hat with large bow; jacket with lace collar and cuffs, ankle length skirt and small hat with feather. (published by The Delineator).

1908
Two evening gowns, straight skirts trailing on floor, both round necklines, left one filled with lace to band around collar and pleated fabric up to jawline, short, loose sleeves over fitted long sleeves, fitted bodice; right dress has unstructured empire waist bodice with waist sash, short puffy sleeves, elbow length gloves. Both have full, piled hairdos with bows. (published by The Delineator).
Two day dresses, left a jumper with wide yokes over high collared blouse with layers of ruffled lace on bodice and sleeves to elbow, small bow at throat, bell shaped, floor length skirt. Right outfit has waist with high collar, double layer of fabric circling bodice and arms as sleeves, bretelles, round neckline with high collar lace insert, lace sleeves to elbow, gloves to elbow, waist sash with long tails; full, pleated, instep length skirt. (published by The Designer).
Three children's and an adolescent dress, children's dresses to knee; left one no waist, shoulder ruffle over full sleeves, large ribbon bow in hair; one belted at waist, full sleeves to elbow, square neckline filled with lace, high collar, large ribbon bow in hair; boy's dress belted at drop waist, bishop sleeves; adolescent dress to ankle, pleats in bodice to waist sash, short sleeves over long shirred sleeves to point at back of hand, v-neck over lace insert with high, band collar, large ribbon bow in hair. (published in The Delineator).

1909
Three day outfits, left suit coat to mid-thigh and skirt with buttons down front, high collar blouse; center semi-fitted coat to mid-thigh, gored skirt, contrasting trim around lapels, coat edges and down skirt front, fur or fox stole; right is sleeveless coat with single button or frog closure, geometric trim around edges, fur stole; all have large, picture hats trimmed with large feathers. (published by The McCall Company).
Three day dresses with coats; left Directoire coat to calf, cut away in front with embroidered lapels and cuffs, high ruffle collar, full skirt; center Eton jacket, ruffle and high collar, buttons down center front of full skirt; right suit jacket to mid-thigh, instep-length skirt, four-in-hand tie, high collar; all hats have wide, flat brims, two trimmed with fabric, one with a bird. (published by The McCall Company).

1910
Four day dresses, two with slim skirts, two with fuller skirts, all have fitted sleeves, collars to jawline; bodices are pleated or gathered to waistband, necklines are round or "v" and filled with lace; one picture hat trimmed with large feathers and small bow, all have hair piled high. (published by McCall's Magazine).

1913
Three winter day dresses all with long sleeves and ankle-length skirts. Left dress has jewel neckline, surplice jacket style bodice with lace insert, ruffle cuffs, and a softly pleated hobble skirt. Center woman has a dress with a high collar, loose sleeves, a faux vest with a deep "U" neckline over a lace blouse, a hobble skirt in 3 alternating layers of solid and plaid fabric, and a hat with a large butterfly on the front. Right woman has an outfit composed of a jacket with a "V" neckline, fur trim on the collar and cuffs, wide slide-buckle belt, a hobble skirt, and a bowler style hat with a tall feather topped stick. (Published in McCall's Magazine).
Three day dresses, hobble skirts with instep-length hem, left has elbow length sleeves, button detail at hip, smocking at stomach, v-neck filled with lace; center has draped overdress with belt, elbow length sleeves, fur trim on sleeves and lapel of overdress, underdress has wide lapel, elbow-length gloves and round hat with small, pointed brim and feathers; right with vest-like front detail, long sleeves, lace ruffle at throat and wrists, hat with jester points. (published by McCall's Magazine).

1914
Two day and two party dresses, left has pleated overskirt with tubular underskirt to ankle, elbow length sleeves, buttoned blouse with tall open collar, hat with tall crown, brim, and feather; front dress has three pleated layers of skirt ending at hip, knee, and ankle, jacket with cape sleeves and single button closure, v-neck blouse with tall open collar, hat with tall crown, narrow brim, and bow; left party dress has five tiers of lace on narrow skirt, loose lace v-neck bodice with short sleeves, sash with flower at waist, headband with feather; rightmost dress has skirt to midcalf over two layers of lace to ankles, wide gathered sash at waist, round neckline, short sleeves. (published by McCall's Magazine).
Three evening dresses, left dress has ankle length skirt with three bands of contrasting material, vest buttoned to hip, short lace sleeves, tall comb in hair; center has ankle length skirt with v-hem fur trimmed overskirt, wide band at waist inverted to meet v-neckline, short sleeves and neckline fur-trimmed, tall feather in hair, elbow length gloves; right dress has three tiers of lace over tubular skirt ankle length skirt, vest with asymmetrical beaded closure, short lace sleeves, elbow length gloves. (published by McCall's Magazine).
Three day dresses with hobble, instep length skirts; left dress has jacket with small lapels, sash at waist with long tail, buttons at cuff, stomach, and hem, v-neck blouse; center dress has cropped jacket with elbow length sleeves, loose blouse with jewel neckline, picture hat with feathers, large fur muff; right dress has long sleeves, jewel neckline, button trim at hip, short vest with fur collar. (published by McCall's Magazine).

1915
Evening dress, showing sheer sleeves and lace bodice over a skirt ending above the ankles. (published for the Women's Home Companion by the Crowell Publishing Company).
Day dresses, showing fabric overlays in lace, gingham, and other fabrics, with decorative ruffles and sashes. The waist is emphasized and there are also blouses underneath the bodice. The skirt length is shorter, and also is in layers.(published for the Delineator).
Three day dresses with A-line, ankle length skirts; left has long coat sleeves, buttons down front to hip, sash at waist, band collar with lace lapels over collar, pillbox hat with ribbon and veil; center has hip length jacket with long sleeves, wide cuffs, buttons, high band collar, hat has wide band trimmed with ribbon; right has mid-thigh length jacket with coat sleeves, three button closure, low pockets, lapels, buttoned blouse with tall open collar over band, open crown hat. (published by McCall's Magazine).
Three day dresses with A-line, ankle length skirts; left has waist-length vest gathered with ribbon and trimmed with fur, long sleeve lace blouse with wide open collar, hat with flat crown and wide brim trimmed with fur and feathers; center dress buttons from collar to mid thigh, long coat sleeves with cuffs, open collar, hat has tall crown, narrow brim, trimmed with beads and feathers; right has mid-thigh length coat trimmed at hem, cuff, and collar with fur, three frog closures, fur beret with bobble. (published by McCall's Magazine).

1916
Day dresses, showing fabric overlays, with decorative ruffles and sashes (published for the Delineator).
Dresses for women, young women, and girls. The left dress illustrates a fitted bodice, loose sleeves, square neck, and wide skirt. (published for "The Ladies' World").
Three day dresses with ankle-length A-line skirts; left has bishop sleeve blouse with asymmetrical close, tall open collar, belt tied at waist, patch pockets on skirt, hat with embroidered crown and wide brim; center has vest, bishop sleeve blouse with tall open collar, v-neck, buttons to sash at waist, tall gathered hat with smooth draped brim; right has elbow length sleeves, two tiered skirt, v-neckline, flat collar, buttons to sash at waist, bucket hat with ribbon and flowers. (published by McCall's Magazine).
Three day dresses, ankle-length A-line skirts, bishop sleeves, tall open collars; left has overskirt to mid-thigh, sash at waist with ends hanging down, wide brimmed hat with feathers; center has lace skirt flounced over ribbon-banded underskirt, v-neckline, belt, netted hat with short veil; right has handkerchief over skirt to knee, sash with decorative ends hanging down, sheer lower sleeves, hat has tall crown, narrow brim and flowers. (published by McCall's Magazine).
Three day dresses with ankle-length, A-line skirts; left has long sleeves, buttons from collar to hip, patch pockets, cape collar, hat with up-turned ruffle brim; center has pleated overskirt with fur band at knee-length hem, buttons from sailor collar to hip, bishop sleeves, short cape with fur trim, hat has tall crown, narrow brim, and large bow; right has pleated handkerchief hem overskirt, long sleeves with tasseled point below elbow, sailor collar and tie, hat with small brim trimmed with large ribbon and fabric. (published by McCall's Magazine).
Four day dresses, two adult dresses with A-line, mid-calf length skirts, square necklines, sleeves 3/4 length or bishop, wide waistbands, one with ribbon sash and bow; "misses" knee length, A-line skirt, belt, long bishop sleeves, buttons from sailor collar to hem, ribbon in hair; "juniors" A-line skirt to knee, patch pockets, wide waist band, elbow length sleeves, buttons from sailor style collar to waist, large bow in hair. (published by McCall's Magazine).

1917
Dinner gown, made of silk velvet, gold and silver wrought lace and hand embroidery showing scarf shoulder drapery. Designed by La Maison Beer, Paris, from a painting by Coles Phillips. (published in "Women's Home Companion").
Swimwear, showing a loosely belted dress over elasticized striped shorts, with decorative ribbons. Trimmed in stripes at the waist, pockets, collar, and sleeves. Red hat. (published for The Butterick Publishing Company).
Day wear, showing blouse and skirt sets (published for The Delineator).
Outerwear, showing belted overcoats trimmed in fur. (published for The Delineator).
Two children's and two adult outfits; boy in Eton suit with short pants, soft hat; girl in military style dress with buttons to hem, four pockets, cape, and cap with brim; both adult dresses have full, ankle length skirts, left one with waist sash with ends hanging down and tall collar, right has surplice neckline and long, cuffed sleeves. (published by McCall's Magazine).
Three day dresses, left with "bowling pin" ankle-length skirt, bodice with loose elbow length sleeves, bateau neckline, picture hat with flowers; center dress has ankle length skirt, 3/4 length jacket with wide lapels and cuffs, deep pockets, belt tied at waist, hat with tall crown and deep brim; right dress has straight ankle length skirt, apron-style jumper, long-sleeved blouse with buttons down sleeves from shoulder to elbow, wide flat collar, fitted hat without brim and tall crown with extra folded on back; all shoes are visible with pointed toes and Louis XV heels. (published by McCall's Magazine).

1918
Day dresses, showing a decorated waist, decorative ruffles and tassels, with a variety of collars. (published The Delineator).
Boarding school dresses for young women (published for The Crowell Publishing Company).
Day dresses, showing a Russian influence. (published for The Woman's Magazine).
Day dresses, showing a belted waist and bodice overlays, over a skirt at mid-calf. (published for The Designer).

1919
Day dresses, showing the Russian blouse (an over blouse/apron). (published for The Delineator).
Day dresses, showing overgaiters and decorated waists. (published for The Delineator).

1920
Winter dresses, showing an emphasized waist, overcoats, and variety of sleeve lengths. (published for The Designer).
Three coats; left mid-calf length, two buttons, patch pockets with buttons, buttoned belt, wide lapels with buttons on shoulders; center knee-length with two buttons, belt, slit pockets with decorative flap, two buttons on wide cuffs, decorative buttons down sides, wide lapels; right is mid-calf length with three buttons, buttoned front belt, two rows decorative buttons down back, patch pockets, two buttons on wide cuffs, wide lapels with cape in back; all have hats with wide brims, two are flat, one up-turned, all trimmed with ribbon or flowers. (published by Philipsborn's).
Three day dresses with straight, mid-calf length skirts; left has handkerchief hem apron style overdress, sash at waist with ties, elbow length sleeves, ruffle cuffs and collar, picture hat with round crown and flat brim trimmed with flowers; center has overskirt to hip, sash with ties, long sleeves with wide buttoned cuffs, buttons to waist, square collar around v-neckline; right has ruffle edged overskirt, waistband sash, cropped jacket with elbow length sleeves and lace ruffle cuffs and collar, square neckline, pleated blouse with buttons to waist, large hat with embroidered crown, curved brim trimmed with bow. (published by Philipsborn's).

1921
Drop waisted day dresses (published for the Delineator).
Drop waisted day dresses, using crepe and foulard fabrics (published for the Pictorial Review).

1922
Drop waisted day dresses, illustrating a straight silhouette with many decorative details. There are also a number of older women illustrated. (published for the Pictorial Review).
Drop waisted evening dresses, illustrating a straight silhouette with many decorative details. (published for the Delineator).
Children's outfits, illustrating dropped waisted dresses and tops. (published for the Delineator).